Sometimes Less Means More

I am the kind of clumsy you normally only see in sitcoms, so the BreyerFest crystal release Lorelei is not even an option: 

This is also why I don’t buy (many) china releases at retail: breakage is just a matter of when, not if. I don’t need that kind of guilt.

Plus, my shopping list this year is already a bit on the long side, which is partly my rationale for (probably) not getting the online-only Georg release who, oddly, doesn’t have a name beyond “Rhenish Draft”: 

They’re making 5000 of him, and that means he shouldn’t be too difficult to locate after the event, if need be. He reminds me quite a bit of the #777 Belgian release, down to the mismatched hoof colors. It’s not just a random style choice, it’s a thing that happens with flaxen-pointed Chestnuts whose points are so light that leg markings essentially disappear, with only the hoof color to distinguish them. 

I was kind of hoping that they’d offer something exclusively to online-only attendees, but all the online-only items are also available to in-person attendees, so far. 

Another complication for me with these online options is that I normally try to limit my online interactions during the event. The whole point of being there is to get the face-to-face interpersonal interaction I don’t get with my fellow hobbyists on a daily basis: any moment I spend online there feels like I’m taking away from the in-person experience.  

Plus the past two years has soured me a bit on the online experience: the less I am reminded of it, the better. While I acknowledge that it has been a boon for those of us unable to attend in-person, for whatever reason, it’s just not for me personally. 

If that means missing out on some items, so be it. 

A Reintroduction

I am not completely happy with it – the curses of an artistic temperament, alas – but this year’s Sampler is up! 

It’s been up since early Thursday morning, but I wanted to do my shopping trip yesterday and I didn’t have time to make my formal announcement. My “trip” was unusual, but I’ll talk about it another day when I’m feeling a little less out of sorts.

(How unusual? At one point I was stuck in traffic behind the 2023 Corvette! That is not a typo, and no time travel was involved.)

As a bonus, I’ll offer up color versions of the pictures accompanying the Early Micro Runs article. I was originally going to include them in color in the Sampler, but I decided to keep it all in black and white instead. 

(By the way, printed copies will be available next week: I’m kind of wiped right now and I just want to chill for most of the weekend.)

It really is kind of remarkable that I have pictures of all these things, especially since I physically own none of them. I was present for raffles of the Rose Gray Proud Arabian Mare and the Red Bay Cantering Welsh Pony, but didn’t win either of them, naturally. Even back then I was not so lucky.

Oh, and for those of you joining us for BreyerFest, howdy! The current content has been a little BreyerFest-focused because it’s that time of the year, but it can – and does – change. 

I try to post about ten times a month (every three days or so) and while most of the content is about Breyer History, it sometimes veers off into other topics I am interested in, including: quilting, comic books, art history, old movies, gardening, and the weird stuff that only seems to happen to me (yes, I’m one of THOSE people!)

I’ve been collecting since 1974, been involved in the hobby since 1978, and I’ve done work for Breyer – off and on – since I published my first article in the original Just About Horses in 1985. I still occasionally do work for them, but as you’ll see, I’m also not afraid about calling them out when they sometimes do dumb things. 

I’ve done everything in the hobby from live showing to customizing to pedigree assignment (we called it “breeding” back in the old days!) but my first love has been researching and obsessing over model horse history, particularly Breyer History. 

I will confess that I don’t know everything, I am occasionally wrong, and I am sometimes a bit of a drama queen (if you didn’t already get that from the blog title). 

I also occasionally – and absolutely unintentionally, I swear – talk about models before they’re released. This is super-awkward because there are some things that I’m not supposed to talk about. 

Like the Corvette, time travel is not involved, and I make no claims of psychic abilities: I just know the market and the product well enough to be able to make better predictions than most. Whether I realize I am doing it or not.

And in case you’re going to ask, my social media presence is a light one. I have a pretty busy offline life, and other than this blog, my Internet activity is not a priority. 

I also do not have a Facebook account, and hope to keep it that way. Long story short: aside from the fact it is not a good fit for the way I socialize in general, I also happen to think that Facebook’s business model is doing more harm to the world than good, so I try to keep my interaction with it to a bare minimum.   

The Second IBM

When it comes to collectibles, rarest is such a loaded word: in a hobby where 25-30 Test Colors are distributed yearly, even being unique doesn’t guarantee value or even interest.

For an item to be truly valuable nowadays, there has to be more to it than mere rarity or uniqueness.

Prior to the early 1990s, Marney Walerius’s original Gray Appaloosa In-Between Mare qualified on both counts: it was not only (apparently) unique, but historically significant as Breyer’s first failed attempt at replacing the Old Mold Mare in their product lineup after the legal dispute with Hagen-Renaker.

Then a second piece – a Woodgrain, this time – showed up in California in the early 1990s, and turned the hobby on its head. What was once an unattainable oddity was now, hypothetically, available. It was no longer a thing that could be acquired and owned by one person sequentially, it could actually be something that could be collected by multiple hobbyists.

So ironically, by being less “rare”, the In-Between Mare probably became even more valuable!

I don’t have any idea about the exact number of In-Between Mares floating around the hobby, because of the simple fact that many hobbyists have a hard time distinguishing the Family Arabian Mare from the Old Mold/Proud Arabian Mare: a mold that bridges that gap could also be sitting in many collections completely unrecognized.

It is just not rare enough that I still have hopes of finding one on the secondary market, someday: a “new” one turns up on the market every four-five years or so, more often than some other items I can think of (#82 Donkey with Baskets, ahem.)

I had a momentarily breathless moment a few weeks ago when I spotted a Woodgrain FAM at a local flea market, from a far enough distance that I thought my moment had come, but she wasn’t so it didn’t.

I didn’t have the $1000 to hit the “Buy It Now” option on a Woodgrain IBM on eBay a few years back, and I certainly don’t have the money to buy the one up for auction now.

Not that I hadn’t given it some thought: the Woodgrain at auction is that “second” piece I mentioned/pictured above. I would love to have something with that kind of provenance and historical import, but alas, my bank account still says Not Today.

Clearing Out the Picture Files

I can’t think of anything interesting to say today. So I’ll clear some random pictures off the hard drive. After the recent dusting and reorganizing, I took a few extra pics for the times when words fail. Like today!

Here’s one last “glamour” shot of those Gloss Alabaster Family Arabian Mare and Foal before I decide their fate:

If you don’t remember, this is what they looked like when I got them:

They did turn out pretty darn nice, didn’t they? But I already have a very good set of Gloss Alabasters – with stickers! – and no (physical) room for sentiment, so they’re likely headed to Kentucky in a few weeks.

(You could use this post as part of their provenance, if you’re in the market!)

They’ve been in my bedroom window for the past several months, so I will miss seeing them every day. But I’m sure I can find someone else in need of a sunbath soon.

Here’s a pic of the original Little Bits #9025 Clydesdale, produced from 1984 through 1988, and released in a couple different shades of Bay since then. I’ve been wanting to talk a little bit more about the Little Bits/Paddock Pals, but I haven’t been able to come up with anything interesting or clever to say.

The photo turned out nice, though. Of all the Little Bits molds, the Clydesdale does seem to be the most photogenic, isn’t he? I’m not sure if the front stocking was intentionally masked, or someone’s fingers got in the way.

I bought him when he came out in 1984, so the latter, probably. Quality control was, in spite of rumors to the contrary, not necessarily better back then. Speaking of…

Always makes me smile. I know something like that isn’t likely to slip by QC today; not because it would not be well executed, but newer collectors are more likely to see it as a flaw, and not character. (Not mine, but been offered.)

And finally, since the hobby was all agog a while back over the Family Arabian Mare with the Mahogany Bay Proud Arabian Mare paint job, for equal time here’s a pic of a Test Color Proud Arabian Mare wearing the Family Arabian Mare’s version of the Bay paint job, black hooves and all:

Since this photograph (one of Marney’s, of course) is dated early 1971 – before she was officially released for sale to the public – this probably represents a True Test Color, as opposed to things that were painted just because.

Pretty girl! I wish I knew where she was. Purely out of curiosity: it’s not likely I’d be able to afford her than that Mahogany Bay Family Arabian Mare!

And that’s all for today, folks.

Infinite Shades of Gray

Isn’t she lovely?

I had figured a variation of Flea-bitten Gray was a possibility; the previous two Volunteer Models Assam and Caipirinha both came in intriguing new interpretations of the color, so it’s obviously something they’ve been thinking about and experimenting with.

But Dappled Rose Gray? The rest of the hobby seems to be down for that, and I’m okay with it, too!

All things considered, it’s rather remarkable that Reeves was able to come up with yet another fresh and different take in the realm of Gray.

I had discounted the notion a bit because there have been a lot of Gray Proud Arabian Mares over the years, both as Regular Runs and Special Runs. And Test Colors, too, both old and new.

The Special Run Grays have been especially attractive and desirable ones. There’s the scarce and highly desirable 1986 Rose Gray Live Show Special, the 1991/2 Fleabitten Gray in the Arabian Horses of the World Gift Set from the Sears Wishbook, the 1994 Just About Horses Special Steel Dust, the 2002 Tour Special Banat er Rih, and the Exclusive Event La Jolla in 2012.

While Sierra Rose will likely join their company, I still happen to think she will be a smaller run for all the reasons I outlined before: being Vintage, slightly dated, under contractual restrictions, and so on.

For that reason I also think it’s unlikely she’ll be the Gloss/Matte split: those releases tend to be larger runs, and more modern molds. I still believe the Appaloosa Ruffian Dead Heat is the more likely candidate for that treatment.

My only reservation about Sierra Rose is that Reeves is making it very, very difficult to stick to my budget: I already have the Glossy Foiled Again and Elk penciled in as must-haves, the Icabad Crane and Old Ironsides are leaning in that direction, and we still have half the Ticket Specials and all the Pop-Up Store items yet to be revealed.

 (It’s a good problem to have, but it’s still a problem.)

The Mystery Mare

Still busy cleaning; late Saturday night I started a long-overdue purge of out-of-date reference books and books-I’ve-lost-interest-in from the bookshelves, and it felt so good I’ve since moved on to other parts of the home and office.

It’s been a constructive way to work off some personal and professional frustrations, too. (Nothing y’all need to know about, other than that’s my operational mode right now.)

Anyway, much speculation has abounded about the Proud Arabian Mare silhouette Reeves has been teasing us with on all fronts since yesterday:

There’s been only one official BreyerFest Special Run on the Proud Arabian Mare: the elusive, desirable Silver Filigree Volunteer Model from 1993.

There have been a three of the Stallion – the 2003 Silver Filigree Raffle Model Saturday Night Fever, the 2009 Volunteer Special After Party, and the 2015 Raffle Model Que Sera Sera – but only one of the Foal: the 2003 Silver Filigree Born to Run.

I suppose the Palomino Appaloosa Fun Foals that were made available in the Ninja Pit with all of the other leftover Fun Foals could count as a BreyerFest Special Run too, since that’s where the majority of them (all of them?) were distributed.

I have no special insight as to the nature of this Special Run – whether it’s going to be a Raffle Model, Prize Model, Store Special, or straight-up Tent Special. I figured they’d give us at least one Arabian model this year, but the Proud Arabian Mare never came up as a possibility to me.

Most of the speculation seems to be focusing on it as being a Raffle or Prize Model, or the Pop-Up Store Crystal release – in other words, something extremely limited – but I don’t think we can rule out a larger release.

We had the Vintage Club Farah in 2015, and several recent larger-scale releases of the Hagen-Renaker Classic Racehorses too: the Terrang Coeur de Lion, the Swaps Web Special Scotty, and the re-release of the Man o’ War.

If they do go the Tent/Store route, I think a PAM release will be on the smallish side (1000 or fewer) – but it won’t be out of contractual issues, mostly.

It’ll be because she’s a Vintage mold, featuring an old-fashioned/dated body type.

The younger/newer hobbyists who make up a fairly large chunk of the BreyerFest crowd will be both unfamiliar with and unsentimental about her. And wondering why Reeves couldn’t have gone with a newer mold like Weather Girl or the Make A Wish/Justadream instead, because obviously.

(Remember the response to the Appaloosa Bonne Fete in 2014? More experienced hobbyists were unimpressed, but Reeves knew what it was doing: the newer hobbyists helped sell it out.)

I’ll be fine, regardless. If it’s a smaller release, I’m not going to let myself worry about it, and if it’s a larger release, it shouldn’t be too difficult to attain – if I like it, well enough.

While I think she’d look fabulous in a Gloss Dappled Red Bay with a lot of white, there’s already a lot of Bays in the lineup. It also happens to be her 60th anniversary as a Breyer release, so a Decorator release isn’t out of the question either...

FAMs as PAMs?

Several years ago I acquired a Matte Dapple Gray Family Arabian Mare in a Body Box lot. She was missing a leg and half an ear, but I didn’t care:

I knew there was at least one other Dapple Gray Family Arabian Mare like her out there, and where there are two, there are usually more. I assumed that she was either a Salesman’s Sample or very early production piece of the Proud Arabian Mare, produced before the Proud Arabian Mare mold was ready for full production.

I also assumed that meant there had to be at least a few Mahogany Bay Family Arabian Mares out there too, either sitting unnoticed in someone’s collection, or passed off as a simple variation of the Bay.

(Any Matte Alabasters that would have/could have been produced would have been virtually identical/indistinguishable from the original Matte Alabaster FAMs, save for a little extra body shading, perhaps.)

So it wasn’t a complete surprise when a Mahogany Bay Family Arabian Mare showed up – on eBay, of course. What was odd about it was that it came with the original White Cardboard Picture box, and a not-quite-matching Bay Proud Arabian Foal.

Oddballs and obvious Samples have turned up in retail boxes before, especially the enclosed cardboard ones of the 1970s and early 1980s. It might have been done to round out the production quota for the day, or (according to a rumor I heard from Marney herself) to give the hobby community a few little surprises to go hunting for.

But if these Oddball Mares were Samples or simply very early production items, you’d expect to find them with Corrugated Shipper Boxes: the Proud Arabian Mare debuted in 1972, but the retail-friendly White Cardboard Picture Boxes didn’t appear until 1973.

A random thought occurred to me a while back, now bolstered by this Mahogany Bay Mare and her box: what if these Mares were straight-up goofs? What if – like so many hobbyists – one of the factory painters simply confused the PAM mold with the FAM mold?

If so, it was obviously a mistake that was caught early. This is a darn shame, since I have grown rather fond of Mahogany Bay as a color.

I had the strange misfortune of actually finding the Mahogany Bay FAM auction very shortly after it was listed, and fumbled around the page for a few anxious seconds desperately looking for the “Buy It Now” button that was not there.

So I will simply have to be content with my three-legged mare…

More on the BHR Rehoming Sale

One of the recent Black Horse Ranch eBay auctions looked very familiar, so I took a quick skim of my files, and look who I found in one of Marney’s albums!

This is the same Dapple Gray with white points Proud Arabian Mare that went for an oh-my-goodness amount about a week or so ago.

The photo is unmarked and undated, but presumably before 1992; most of the photos in this particular album are from the mid-1980s, so I’ll hazard a guess that that’s when and where this model came from.

There are a few photos in the album that are specifically attributed to Karen Grimm, including at least two other Test Colors and several Decorators that Marney was obviously using for reference. Including this guy, whose auction ended Friday:

I have no idea if discovering and posting these photos earlier would have had any impact on the prices. Maybe, maybe not. In the PAM’s case, most of the value would be in confirming the fairly safe assumption that it - like most hobbyist-owned Test Colors from the 1970s and 1980s - passed through Marney’s hands at some point.

Not all did, of course: eBay has been littered, over the years, with Tests and Oddities discovered "in the wild". Lots of people had access to the factory, and the goodies sometimes abandoned inside. 

There are several unmarked photos in the album, so it would not surprise me if there are even more of Karen’s models "hidden" within.

In other BHR news, it has been reported that part of Karen’s collection will be sold at BreyerFest at the host hotel (the Clarion) in one of the suites, starting Thursday night. As far as I know (no time to follow up here, again) it’ll be a straight-up sale of Breyers and some of her famous "Faux Finish" Breyers.

Whenever someone asks me about selling off an entire collection - big or small - I always give "take it to BreyerFest" as a viable and expedient option. It’s the best place in the world to get rid of a lot of models quickly: that’s where the money and the desire are.

I’ve gotten some flak for advocating it, because some hobbyists see it as a limiting factor: if they can’t go to Kentucky, they can’t buy. It’s early enough, however, that I hope some enterprising hobbyists will consider offering pick-up and selection services, like they do for Special Run Ticket items and at the Peter Stone Warehouse Sales.

(I can’t do it. Please don’t ask.)

I gather that due to safety and capacity concerns, there will likely be a limit to the number of people in the room at any given time, so there may be a line or numbering system of some sort.

I don’t know what I am going to do about it right now. My Thursday night is already on its way towards being extremely busy, and I doubt I can accommodate an extended amount of time standing in another line. 

I’m more curious to simply see it (and document it!), rather than purchase anything from it. Though I will buy something, undoubtedly, most of the models I would pine for I wouldn’t be able to afford. *Bask+++? Certain Test Colors? Some of the more exotic Fauxs? Not gonna happen.

Love, Love, Love?

First they promised us the G1 Draft Horse as the Gift Stablemate for the 2014 Vintage Club. That was easy to rationalize: all the Warehouse finds were from previously molded - and warehoused - bodies. You can fit hundreds of Stablemates in a single storage drum, easy-peasy.

Then they offered us Cosette - the Classic Arabian Mare in Chestnut Pinto. Another Hagen-Renaker mold. An apparently open-ended run, too - though limited to two per customer - but still available on the Breyer web site as of my writing this. Well, maybe that one could have been warehoused too, but I was beginning to have my doubts.

Then they sent us a picture of the cover of the soon-to-be-mailed Just About Horses Annual:

Ooh, a new chestnut Carrick! The Zodiac Collection that they hinted at a while back? I’m cool with that. Fan-niversary - is that what they’re calling the next Exclusive Event, or is it just another themed anniversary promotion? Interesting; whatever it is, I hope the Western Horse is involved. The Maureen Love Story…

Whoa, wait a minute. Does that mean what we think it means? 

Then we received notice about the offerings for next year’s Vintage Club:

Oh Good Heavens, a Gloss Palomino Pinto Proud Arabian Mare? I suppose we’ll all find out in a few weeks, as the Annuals make their way out into the world, the circumstances behind the return of the Hagen-Renaker molds. For now, or for good?

Rats, just when I thought it was safe to start upgrading my Proud Arabians!

While everyone is squealing in delight over the Proud Arabian Mare’s return, the model that made me melt into a puddle was the Quarter Horse Gelding. In Black Splash Spot Leopard Appaloosa, like the Western Prancing Horse? Oh, goodness.

The full lineup, in case you haven't heard:

• Black Splash Spot Leopard Quarter Horse Gelding
• Gloss Red Bay Pinto 4-eyed Misty and Stormy
• Gambler’s Choice Decorator Running Stallions
• Gloss Palomino Pinto Proud Arabian Mare - Yellow Mount pattern
• Bonus Model: Dark Dapple Gray Loose Mane Cleveland Bay, aka "Murphy"
• Gift Stablemate: Gloss Alabaster G3 Rearing Andalusian

Interesting that they’re doing a Gambler’s Choice on the Running Stallion; presumably for the benefit of those lucky ones among us who have vintage Running Mares and Foals in need of a match. I thought they'd go with a Gloss/Matte Gambler's Choice first, since there was precedent for that back in the 1960s and 1970s, when they transitioned from mostly Gloss to mostly Matte finishes.

So signing up for the Vintage Club this coming year gets you a rare and lovely PAM, and a super-scarce (125 piece) Decorator? Sounds like a pretty good deal to me!

There goes my hard-earned Paypal balance.

More New Old Photos

Friday already?

Still up to my eyeballs in old business, of both the hobby and nonhobby sort. So more new old pictures today. First up, another vintage Test Color:

A Resist Dapple Gray Midnight Sun! I believe this might have been another one of those early 1970s "Micro" Runs that may have been repurposed Test Colors. Like the better-known Traditional Man o’ War in Dapple Gray, the Red Chestnut Midnight Sun, and the Cantering Welsh Pony in Dapple Gray.

By the way, those early Cantering Welshies predated the 1985 Just About Horses Special Run by several years, and don’t look anything like them. The one I saw in person looked more like the Midnight Sun, above, except a little darker.

The second photo is part of a small set of pictures of one wall of Marney’s collection - what appears to be her Arabian Shelf:

Yep, those are Test Colors on the far right side there. I suspect that some of the Glosses on the shelf are Test Colors, too, and not merely Old Molds. There are some Proud Arabian Mares in the Test Color Album that appear to be attempts at recreating Old Mold colors and finishes. Some of them in that album might be the same models seen in this photo, but for a variety of reasons (size, quality, angle of photos) it’s difficult to confirm. The Chestnut Proud Arabian Stallion might be this guy, though:

I know there was some controversy a few years ago about the authenticity of a Gloss Proud Arabian Mare - with the Breyer mold mark - that made its way to eBay. I was less skeptical than most about it, but I didn’t have the money then to verify my hunch.

The plastic bags on the Customs (aka "Repaint/Remakes") were a not-uncommon practice back then. It was done partly to cut down on the dusting and protect the paint job, but primarily to keep the mohair manes and tails clean.

Hairing was de rigueur in the 1970s and 1980s: even Foals and Stablemates got the mohair treatment! Keeping them neat and dust-free, though, was a pain in the behind. Periodically replacing the hair wasn’t an option either, since good mohair was expensive and hard-to-find.

Getting the hairdo to look just right was an art all its own, too. During that brief window of time when I did custom work, hairing was the one aspect of it I was actually really good at.

That being said, I was kind of glad to see the trend fade away a bit, at least in this part of the model horse world. Hairing jobs, no matter how carefully tended, don’t age well.

Time to Revise My Grail List

Instead of kvetching about the timing of another new release that I want that I can’t buy right now (the Warehouse Find Chestnut Western Prancing Horse) I will instead sigh wistfully over a model I never knew I wanted, and that I know I will never have:

A Proud Arabian Mare painted almost identically to the Splash Spot Leopard Appaloosa Western Prancing Horse. Oh, you beautiful creature you!

This photo is from another one of Marney Walerius’s photo albums, a recent acquisition for the archives. There’s no identification material on the back of the photo, and it’s unlike most of the others in the album in terms of style, size and focus. So who or what it is, is a mystery.

My initial reaction was that it might not even be Original Finish at all - an early BHR Repaint, perhaps - but the photo was found in an album that consists entirely of Original Finish Breyers. Marney must have believed (or known) it to be OF as well.

While it’s possible that they could have used an Old Mold Mare body to test a paint job for the Western Prancer - the Mare was discontinued ca. 1960, the WPH introduced ca. 1962 - it seems more likely to me that it’d be a Test of the Proud Arabian Mare rather than the Old Mold Mare.

First of all, there are a number of photos of other actual Test Colors of the PAM in another of Marney’s  albums, while Old Mold Mare Tests (and variations) are exceedingly rare. Second, there’s the matter of timing: the PAM was introduced in 1971/2, and the Appaloosa WPH was in production through 1973. 

Where this model is now is also a mystery, but that can be said for many of the models contained in these albums. A number of the Tests in these albums have turned up over the years - and I even managed to identify one I had purchased myself, recently. So I am not completely without hope.

Just without room in the budget. Darn you, car payments and doctor bills!

Also Not Levi

Because Thursday was not the day off it was supposed to be. And some unrelated computer problems. The cold is not helping either.

The week was not completely horseless, however, as I found this little beauty during a rare moment of respite at the local Salvation Army: a Walker-Renaker "Horse of Different Color"!

Missing a couple of flowers on the other side of his head, but otherwise perfect. My three other Walker-Renakers - all dirt mall rescues - are also damaged in some way (as am I), so he’ll fit right in. I’d rather they be broken before I make their acquaintance, than have my clumsy self finish the job.

(FYI: I was tipped off to the existence of possible costuming items at said store, hence the side trip. I have been getting …notions…. Family is being unusually helpful in this regard. Strange week, all around.)

Rajah also made his appearance this week; thankfully the grace period for placing a pre-order runs through next week, giving me some time to actually think about it instead of jumping into the decision feet first.

I’m leaning towards Yes. The price is very good, the deposit is doable, the mold is lovely, and the native tack designed by hobby tackmaker Vicky Norris is an awesome bonus. It is very reminiscent of the much-coveted Proud Arabian Mare Gift Sets of the early 1970s, of which I only have a box. I’d show you a picture of it, if I could find it - the problem being my mind is slightly more disorganized than my stuff.

I also have the flier, and the horse, but those were obtained separately and cribbed together into three-fourths of a set, so I’m not sure it really counts as one. Especially since the odds of me completing it by finding the halter in a random box of goodies is about the same as me finding a diamond ring in a box of gumball machine jewelry - i.e. not very likely.

I won’t discount the possibility entirely, as I did find a pewter Jorgen Jensen ring in a box of junk jewelry once.

Considering the scary high prices that the Arabian Mare Gift Sets bring nowadays, I find it a bit puzzling to see some dismissive chatter about the tack part of this Special Run. Especially so soon after the funky Totilas wooden base Web Special offer that now has others (including me) wondering why I didn't take Reeves up on that offer.

Although I am not one of those people who collects tack, there are many hobbyists who do, so I don’t think it’d be all that difficult to sell it off if need be. Or do what I did when I was younger: throw all the loose and unwanted bits into a spare shoebox in the closet, until I decided they weren’t unwanted anymore. Or if I really, really didn't want it, toss it into a "free with shipping" box. I used to do a lot of those back in the day.

I haven’t had a chance to do more than a light skimming of the discussion of the Rajah - heck, I can’t even remember the last time I trolled for research data on eBay - but from what I’ve seen most of the criticism has been focused on - the paintjob?

I agree that the Light Dappled Gray not the most exciting choice, and perhaps a bit overused at the moment. We should all know by now, however, that the photos Reeves provides are only an approximation of reality: a middling Photoshop retouch of a likely Sample piece, at best. If I’m going to decide to the contrary on Rajah, it’s going to be something that I know is a problem already (the eternal triumvirate of time-space-money) rather than what might be.

Back to Work, Again

Back to work today, more or less - the paying kind, not the around-the-house kind. In the business that I’m in, things don’t get super-crazy until after the first of the year, but because I’m one of the more (ahem) experienced employees in the district, busy season starts a few days early for me. They’re not the most plum assignments, but money’s money, and I have a new car to save up for. 

This year, though, I kind of wish I did have a couple extra days off to finish all the projects I restarted this month. In the midst of cleaning out the craft supply closet yesterday I rediscovered a few more "lost" projects, and not just the ones I was looking for. (Some of those are still missing. Of course.)

Christmas, by the way, was quiet and not unpleasant. Dinner included Rio Grande Pork Roast, Braised Stuffed Flank Steak (aka Bavette Farcie a la Jacques Pepin) and another obscure but tasty gelatin mold/salad. (Mom has a rather large collection of recipes that we joke - only halfheartedly - include ingredients that are now either illegal, or extinct.)

I received money and chocolate, two gifts that are always appropriate, regardless of the season. Vita received several squeaky, crinkly and crunchy things, all now covered in a liberal application of doggy slobber. The beaded Christmas tree was (very) well-received by its recipient.

No new models for me yet; allegedly I am to receive my Logan and Angel today; all the pending charges have now cleared the proper financial instruments. I have also managed, so far, to stay away from the stores and their infernal clearance sales. (One of next year’s resolutions: owning less stuff, period.)

I shouldn’t have bought the Logan and the Angel, even, but they’re exactly the kinds of molds that push my "Buy It Now" button, for better or worse.

The last Kitten was produced in 2003 - Tom Foolery, the XMAS Kitten - and the last Horned Hereford Bull was Buford, a BreyerFest 2000 SR in Gloss Black and White. It’s entirely possible that they had leftover bodies of both of these molds lying around the New Jersey facilities that long. They stopped manufacturing the Proud Arabian Mare in 2002, but they seemed to have a stockpiled enough for them to make an appearance at this year’s Passage to the Pacific Event.

I did read somewhere that the Logans don’t appear to have VIN numbers, which would support that hypothesis. It does make me wonder, though, if we might be seeing the Horned Hereford Bull mold again, perhaps, for BreyerFest. I’d rather be seeing a mule - either the original Balking Mule mold, or Brown Sunshine - in the "nonhorse" role, but I wouldn’t object to another Bull, either.

The reappearance of the Kitten mold is a bit of a puzzle. The only thing I can think of - aside from the fact that they know some of us are crazy enough to buy almost anything - is that it might have been associated in some way with this year’s ASPCA Benefit Set, the one that included the small standing Companion Cat with a very similar paint job.

Ah well, off to bed. I have to try and get myself back to a more "work-compatible" sleep schedule ASAP.

Black and White and Red All Over (Again)

I got all caught up on the novel yesterday, but I’ve got a lot of catching up to do with everything else, so I’m probably going to fall a bit behind again. Ah, well.

Lots of news in the Breyer world this week. First up, another Red Pegasus (or Red "Pegassus") has shown up on eBay. It's just as authentic as all of the other Red Pegasusses that have shown up on eBay. Which means, NOT AT ALL.

Sheesh, sometime I feel like I should have a PSA about them, like they do with Smoke Detector batteries, health screenings, or the ones that tell kids not to take candy from strangers.

Listen to your crazy auntie in the basement: bidding on a Red Pegasus is the equivalent of taking candy from strangers.

Just don’t do it, folks.

Some people are anyways, just like they have with all the previous ones, some of whom will absolutely insist on its authenticity, in spite of all evidence to the contrary, and what do I know anyway, because I’m just poor, and jealous, and I don't work for Reeves, or judge or show, and am so unsophisticated that I like to put catsup on my steak …

Fine, whatever.

Next, the Vintage Club is now up for renewal, and the winner of the vote to choose a piece for next year is - the Matte Smoke Five-Gaiter?

Didn’t see that coming. All that online sturm und drang about how matte finishes weren’t vintage enough, and the vote somehow goes to the one selection out of the four that’s NOT glossy?

I kind of figured that the people making the most noise online were the ones who had the weakest understanding of what "vintage" actually meant, but that the voting actually showed some support for that theory is sort of funny.

Still hoping that the Gloss Dapple Gray Man o’ War shows up someplace, though. I want one something bad.

Reeves has also announced a "Live Show Benefit Program" to promote and encourage live showing, especially among youth participants, with a special model - a Black Appaloosa Spirit, named Zuni - as a raffle prize.

Lots of people are jumping up and down at the thought of it, but folks, they’ve tried this before: the Black Proud Arabian Mares from the mid-1980s were also part of a similar program. It’s not something new.

All the rules and stipulations that go along with the program are, though: the show application includes an entire single-spaced page of them, hoping to counter most of the problems that occurred with its previous incarnations and implementations.

The only problem I see with it - aside from the policing - is how they’re going to select the 30-35 qualifying shows. They want to distribute them as fairly an evenly as possible, in terms of geography.

This is an admirable goal, but as anyone whose been in this hobby for more than a couple of weeks knows, some areas have way more shows than others. Plus, they have to go through the additional hoop of being NAMHSA approved.

It’s probably not encouragement enough to get me back into live showing (yet), but I’m not the target audience. I do think the model is super-neat, but that may be because I have been eyeing the Spirit mold lately.

(As I explained before, though, the only one that’s currently in my price range - the Padre - kind of creeps me out. So no Spirits for me, for now.)

Quiet Time

And yet another In-Between Mare pops up on eBay…that’ll make it the third "new" one in the hobby in a year, right?

Like I’ve been telling you, I’m really beginning to think that those Mares are more common than hobbyists realize, because of the perpetual (or eternal?) confusion between the Old Mold/Proud Arabian and the Family Arabian Mares.

A similar thing happened with the Woodgrain Old Mold Mares and Foals, not so long ago: they went from being "virtually nonexistent" to "just really, really rare" when more hobbyists started paying attention to the not-so-subtle differences between the Family Arabians and the Old Mold/Proud Arabians. 

The In-Between Mare ("IBM") is just close enough to the Family Arabian Mare - a mold that most hobbyists don’t even give a first glance to, much less a second - that I think some are still getting passed by, too.

If I had noticed the latest IBM on eBay before it sold - it was a "Buy it Now" at a "mere" $1800 - I might have considered buying it. Yeah, really: I’ve been working just enough - and saving just enough - to have been able to cover it. Plus, I think that price is more in line with where the market will eventually settle to, once the market finally shakes a few more of them out of the tree.

On the other hand, if this is more proof that they are really are more common than we realize, I probably should just bide my time and hope one turns up locally. My local flea market is just good enough for me to give me hope.

The flea market, though, has been fairly quiet for me for the past few weeks. Aside from some odds and ends, the only things I’ve picked up are random sewing supplies - patterns, fabric, and another unfinished vintage quilt project (an applique thingie from the late 1940s or 1950s that, like most projects I find, has to be completely disassembled and re-pieced.)

Everyone (capable of it) should do a little bit of handwork - be it sewing, gardening, painting, woodworking, or even baking. It’s better than therapy, I think; the mostly repetitive nature of the work is soothing, and even if you don’t completely resolve whatever problem you’re dealing with by working it, you at least come out of the experience with a beautiful or useful object.

While I am enjoying - in its own way - all of my BreyerFest prep, I am so looking forward to getting back to my sewing after the trip. I think its absence from my life is one of the things that's been keeping me more agitated than average lately. 

The BreyerFest prep, oddly enough, has been going almost disturbingly well. No drama, no major catastrophes, emergencies, or unexpected expenses. I even came up with three - three! - different costume contest ideas that I either already have the pieces for, or that I can buy at minimal expense. My only decision is which one I should go with. (Or maybe I shall bring them all, and draft friends and roommates into the cause?)

Fascinating. Or Not.

And now, of course, I’m seeing Gloss Alabaster Family Arabian Foals with gray muzzles everywhere. But that’s how most discoveries go: they were hiding right in front of your face the entire time.

I’m beginning to think that the In-Between Mares (you’ve seen the latest one on eBay, right?) might be somewhat more common than we think they are, in part because hobbyists have a pretty bad track record of distinguishing between the PAM and the FAM, much less the IBM. Some IBMs, to put it indelicately, are probably hiding right in front of a lot of hobbyists’ faces.

Actually, I’m a little weirded out by the hobby’s compulsive need to know the whereabouts of every single In-Between Mare. It’s not like fakes are getting passed off on the unsuspecting: the mold (probably) doesn’t exist anymore. I don’t think having an extra dozen or two more pieces floating around the hobby should be such a huge cause of concern, except maybe to the people who bought them "retail".

Yeah, I’m cranky. It’s been a rough couple of days.

Are you familiar with that saying "Don’t attribute to malice what can be attributed to ignorance"? There are a few variations on it, substituting stupidity, indifference or incompetence for ignorance, but the sentiment’s all the same: if something bad happens to you and yours, it’s most likely nothing personal. It’s just the fallout from some other decision, and you just happen to be the "lucky" schlub that it’s getting dumped on.

I just found out yesterday that a certain situation I’m in that I was attributing to indifference can, in fact, be attributed to malice, at least partially. The worst part is there’s absolutely nothing I can do about it, for the time being.

So if I seem a little less personable than usual for the next week or so, it’s nothing personal, guys. It’s just the fallout from me dealing with a less-than-pleasant private matter that has absolutely nothing to do with the hobby.

Back to the ponies…

So they announced the Fascinator Prize: it’s a Gloss Brookside Pink Magnum. The surprise is that I’m pretty sure everyone was expecting that to be a Live Show prize. I was thinking they’d spring the Mid-Year release Hackney Heartland High Tech on us instead. (That Dark Bay would look fabulous in gloss, dontcha think?)

I can see the logic in it, though: considering how insanely popular the Bouncer mold is right now, having a Gloss Bouncer prize model among the live show prize models would just make an already bad situation even worse, especially if it were a Children/Youth show prize. ("How much for the shiny pony, little girl?")

Better to give it out in contest open to everyone. Well, maybe not: I imagine the competition is going to be pretty scary, with some hobbyists opting for "big" over creative, and some stage moms badgering/shaming the judges for a separate category for their children. You know, the usual nonsense.

(Goes outside briefly to work on her own BreyerFest projects a while. No clues for you!)

More tomorrow, when I’m in a better state of mind.

Who's That Girl?

I wasn’t planning on purchasing a Weather Girl any time soon; I was willing to wait for the frenzy to die down a bit before I attempted a shopping excursion. But I just so happened to be in the right part of town for work on Thursday, and figured that since that store was just around the corner, it wouldn’t hurt to look:


Yay! A happy way to spend the last little bit of my tax refund. (The rest went to bills, bleh.)

They had all three colors available, but both the Palominos and Pintos had some condition issues just bothersome enough to leave them behind. The Thunderstorm has a couple, too - a slightly rough seam on the mane, and a small paint blooper on her left hind leg - but nothing that screamed "body quality" to me.

I was a bit tempted by the Palominos, in spite of their masking problems. That has to be the most gorgeous, spot on original finish Palomino paint job I’ve seen in a long, long time: rich, bright, shimmery, and golden. Now that’s Palomino!

My first thought, actually, was how neat it would be if Reeves ever decided to re-issue the Palomino Family Arabians - that’s the shade of Palomino they’d need to be. (The Western Prancing Horse? Yeah, I’d go for that, too.)

I wouldn’t be surprised if the whole concept of the Weather Girl Treasure Hunt might have sprung out of the notion of justifying that Palomino paint job. I’m sure someone at Reeves must have thought that it would be fitting that their newest Arabian should be released in that most iconic (and notorious) color.

Wouldn’t it be neat if the "Rainbow" Reeves is referring to in regards to the Redemption Horse "Rainbow" would be the range of colors the original "Old Molds" came it - Shaded Alabaster, Honey Bay, Gray Appaloosa, and Woodgrain? I think she’d be particularly fetching in Gloss Alabaster, with lipliner and detailed muscle shading. Mmm.

We’ll find out soon enough, I suppose. I’m in no rush to send in for a Rainbow, myself. I managed to get the one Weather Girl I wanted with a minimum of stress and effort, and that’s good enough for me, for now.

Regarding the Palomino Proud Arabian Mare on eBay: oh yes, I’ve seen her. I don’t believe that the Gloss Palomino paint job was ever truly considered a viable color option for the mold’s rerelease in the 1970s. What I think happened in this case is that Marney felt the need to reproduce the original colors of the Old Mold Mare on the Proud Arabian Mare. In the photo album of hers that I own, there are pictures of other PAMs that look like reproduction attempts of other Old Mold paint jobs, too.

If anyone were to run across these other repro/tests today, most would be dismissed either as oddities (at best) or fakes (at worst.) What makes the Palomino different is that the Old Molds never came in Palomino. The color didn’t appear on the successors of the Old Molds, the Family Arabians, until at least 1961 - a year or more after the Old Molds were taken off the market.

Marney was operating under the mistaken assumption, back then, that they did. Instead of recreating something old, she accidentally created something new.

We all know where the gal in the auction will end up, eventually. The rest of us will just have to be content with a much more accessible Sunny.

Compensation Packages

Been feeling a little down for the past couple of days - rejected as a BreyerFest volunteer, again. Man, it’s a big enough blow to the ego to get turned down for jobs that pay cash money, but for one that doesn’t? Ouch.

Of course, that’s not quite true - it does "pay" to be a volunteer. Everyone goes out of their way to say that oh goodness, no, I’m volunteering for the honor of it all - but let’s face it, the gratuity you get for that honor - an SR horse - is a very strong motivator for many. I rather doubt so many people would be as eager to apply if all Reeves offered was the standard convention volunteer package: t-shirt, hat, lunch, and free admission.

That’s not going to happen, of course. Those of us trolling Blab a few weeks back saw the carnage that ensued when the possibility of Reeves scaling back the Youth show prizes to something a little less financially rewarding was brought up. The sense of entitlement was … well, rather depressing. I didn't realize that fabulous rare prize models were now a live show necessity.

Maybe it’s because I grew up in the hobby before it was about the money - or less so, anyway. You showed for the glory of it all, for the big, giant rosettes and having your picture taken and possibly featured in Just About Horses or the Model Horse Gazette. If you volunteered in some capacity - to hold a show, or judge one - it was just because the activity itself was so fun and rewarding in and of itself.

You did it because you loved it, and your compensation was the boost it gave to your reputation - and admittedly, your ego. There’d be financial compensation, indirectly, in the form of name recognition, especially if you had a secondary talent like customizing or tackmaking, but that was not your primary motivation.

There were some early experiments with volunteer, gift and prize models in the pre-BreyerFest days. Some of those 5 to 7 piece Test Runs/Special Runs that originated with Marney in the 1970s were a part of that experimentation: most of those were raffle pieces, presumably for fundraising and local show promotion. (Ah, if only I could have had a few for the Swap Meet! I’m getting to that post, I promise.)

Then came the Black Proud Arabian Mare. Oh, boy.

The story goes that they were created as a gratuity to a series of Breyer-sponsored liveshows - presumably as fundraisers and for local show promotion - but that’s not exactly what happened. Rumor has it that some showholders kept some of the models for themselves. Let me emphasize that that’s what I heard, and not what I know: it might have been the intent all along to allow these showholders to keep a piece as compensation, and the griping I heard was just the usual sour grapes.

The following year there were a handful of Red Bay Cantering Welsh Ponies made, and the 1987 Congress program specifically stated that the showholders would be receiving some as gifts. I have no idea if that was included to help dispel the rumors, or just coincidentally convenient phrasing. (And as I’ve brought up before, Marney’s writing skills were less than helpful.)

And that was it, until they instituted the live show at BreyerFest some years later. I have no idea if the rumors played a part in the discontinuation of the original program, or if other factors played a greater part, like complaints from "ungifted" showholders. Or was it the creation of BreyerFest itself, just a couple years later? Another question without an answer.

I’ll still do what I normally do for BreyerFest this year, with the camaraderie of my cohobbyists as my only compensation. It would have been nice to have been able to tell people behave themselves in the NPOD line, and have some small authority to back me up on that. An authority that only comes to those among the gifted, in some hobbyists’ eyes.

(I would have done it for a t-shirt and a footlong tuna sub. Any maybe a bullhorn. Heck, I'd still do it for that.)

Silver Filigree

I didn't run out of things to write about: I ran out of time this week to write! I was totally not expecting to get overtime at the part-time job this week. The lack of food, the lack of sleep, being away from home for days: I was starting to get BreyerFest flashbacks at one point. (In a rare spare moment, I even bought some Stablemates because if I was going to suffer a little, I deserved some ponies...)

Anyway, back to the horse business. I'll deal with a few questions that have come up in the past couple of weeks in a long, rambly post later today or tomorrow. Right now, it's something a little more focused: let's talk about the color Silver Filigree.


Silver Filigree is one of the “newer” Decorator colors, first issued on the lovely and highly coveted 1993 BreyerFest Judge's Model Proud Arabian Mare. It wasn't used again until 1999, when The Ginger Horse commissioned a Legionario in that color as a special run for Equitana that year. It had been used sporadically since then, but within the past couple of years it appears that Reeves has decided that Silver Filigree – and hobbyist favorite Gloss Charcoal, to a degree – are their Decorator colors of choice to drive us all crazy.

While other Decorator colors have lost a bit of their luster with recent reissues, the “mystique” of Silver Filigree continues unabated. That's mostly because except for the Legionario “Grane of Gotterdammerung,” who had a healthy 2000 piece run, virtually all of the other Silver Filigrees Reeves has issued have either had extremely low piece counts, restricted distribution, or both:

Proud Arabian Mare: Volunteer Model (30)
Saturday Night Fever (Proud Arabian Stallion): BreyerFest Raffle (26)
Born to Run (Proud Arabian Foal): BreyerFest Raffle (26)
Quicksilver (Clydesdale Foal): BreyerFest Contest Prize (<30)
Silver: Treasure Hunt Surprise (250?)
Silver Snow (Othello): Web Special (200)
Surprise (Quarter Horse Gelding): BreyerFest Gambler's Choice (10)

That's not including tests and auction pieces, which are by nature either unique or close to it. (And I just noticed that five of the eight official releases were BreyerFest-related, too! Interesting.) There may also be a very small run of Running Foals (less than five?) that was associated in some way with the Ginger Horse's promotion of the Grane model, but I've only heard rumors of this little fellow, and no pictures, so I'm a bit reluctant to list it as something official. (Any pics or links would be appreciated!)

It's a smart move, albeit a frustrating one for those of us who absolutely love the color: by associating a certain color with rarity and exclusivity, it makes new releases in that color even more desirable. That's what fueled the online feeding frenzy with the Silver Snow: for a lot of collectors, it was a rare chance to get an example of a rare color, at a reasonable price.

Remember when we used to get the same thrill when they started rereleasing the old Decorator colors on new molds? They still have the power to excite hobbyists – especially when a new or popular mold is involved – but they are no longer as rare and exclusive as they used to be. If you really want a Florentine, Copenhagen, Gold Charm or Wedgewood Blue and you're not extremely picky about your choice of mold, you can get a newer release for a not-scary price (well, maybe not Wedgewood Blue, just yet. Talk about another color that drives collectors crazy!)

The only Silver Filigrees I have so far are the more “common” Grane and Silver Snow – and I was lucky to have a friend help me with the Silver Snow. I'd love any of the others, but I don't have that kind of money or luck right now. Maybe I'll be lucky or rich in the future: I doubt we've seen the last of this color. (Silver Filigree or Charcoal would look mighty fine on the Stretch Morgan, don't you think? It would also probably cause my head to explode.)

No discussion of Silver Filigree is complete without mentioning the fact that we also owe its existence to the power of suggestion. And in this case, it's one of those rare instances where one person was responsible: the late hobbyist Shirley Ketchuck. The Powers That Be at Reeves liked her idea, and started making their own.