It rained this morning too, so there are no fun new “finds” to overanalyze. This is for the best I suppose, with that carousel auction coming up next weekend, and a possible mini road trip later in the week for a garage sale.
So here’s a picture of one of my BreyerFest finds, a nice example of the 2003 BreyerFest Rugged Lark Special Run of The Lark Ascending. He was cheap, he was in mint condition, and he was signed. He didn’t come with his teeny-tiny “Certificate of Authenticity”, however.
I kind of wanted The Lark Ascending that year, but when I managed to get a really good place in the line for a change, the two porcelains – the Othello Galway Warrior, and the Stablemate Seabiscuit – took priority instead.
The Lark Ascending has been a backburner want since then. They did a nice job on his color, with extra shading and metallic undertones to add a bit of sparkle to what could have been another ho-hum Bay paint job. The more I saw him, the more I thought Yeah, I think I need that guy.
The release exists in that strange state of being both relatively rare (only 500 pieces) and somewhat undesirable (being on the Rugged Lark mold). While it wasn’t hard to find one for sale, finding one at a price I was comfortable paying was the real trick. Physical rarity alone is not, and should not be, a guarantee of an elevated resale price.
And then this guy turned up during my late Saturday CHIN shopping marathon, at a price I literally could not walk away from. Sure, he didn’t have his little certificate, but I have gotten used to coming home from BreyerFest without them.
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