Good Things Come in Tiny Packages

My schedule is already apparently back to “normal” and to celebrate, I went out and bought a few more Walmart Stablemates. Nothing especially noteworthy about the lot of them; I still need to find the G3 Quarter Horse in Dark Bay and (of course!) the Carbonated Grape Unicorn Chase piece continues to elude me. 

But I’ll wait on those two. That purple unicorn seems to be getting more common over time, so – like the Rainbow Magnolia – I think I’ll be able to avoid having to pay the online premium for it.  

The 70th Anniversary Stablemate 24-piece Displayers are also back in stock – or were so earlier today – so I also have that coming to me. I know it’s technically not on the “discontinued” list, but I’m tired of trying to track down boxes locally, only to find them completely picked over. 

I’ll see if I can resist the temptation to open them until a significant holiday (or other reason to celebrate) arrives. 

A third – and for the moment, final – Stablemate purchase was made some time back, but I hadn’t bothered to photograph it until recently because other things have gotten in the way, as they do:

I decided to do “full retail” on this purchase because it doesn’t look like a purchase of a Gloss Dapple Gray Belgian is going to happen any time soon, and the money I had designated specifically for that purpose rather neatly accommodated this one. 

I felt a little guilty at first, but then a few days ago I was looking at some recently ended auctions on eBay of what I consider somewhat less scarce vintage NIP Stablemates, I don’t feel so guilty now.

Boxed Sears Wishbook Stablemates have been grail items for Stablemates collectors even before other boxed Wishbook horses became something worth collecting, mostly because the boxes are so darn cute. 

I mean, seriously, they need to make these miniature carton boxes a thing for the Stablemates Club one of these years. Don’t get me wrong, the little yellow boxes are great, but these are reusable and therefore logically superior.

Sure, I would have loved to have gotten her for a lower price, but they can’t all be bargains. But being cheap most of the time means the occasional “Good gravy, what have I done?” purchase is only momentarily discomforting.

Garage Sale Finds, Yay!

Earlier in the week I was going through my paperwork for the year thus far, and lamented that the “Nonretail” portion of my purchases – made at flea markets, yard sales, auctions and such – was pretty skimpy, and would probably remain so for the rest of it.

Then I did one of my intermittent searches on Craigslist and found a potentially interesting local garage sale that led to… these lovely finds!

Believe it or not, this is my first light, Nonchalky version of the #110 Smoke Western Prancing Horse. My first Smoke – my second model horse ever – was a Chalky variation I received for Christmas back in 1974. I’ve also gone through several Charcoal variations before settling (I think!) on the one I have now.

But a standard, actually “Smoke” Smoke Western Prancing Horse, or one I considered worth adding to my collection, had eluded me until now. I was kind of hoping to find a minty, New-in-White-Picture-Box one, or even an example with a Blue Ribbon Sticker, but this fellow with awesome pinking and original saddle and reins will more than do.

He needs a little bit of touch up work, but I’ll worry about that another day.

And well, you also know my fondness for vintage Red Roans. It’s kind of interesting that in spite of the Red Roan Running Mare’s relative rarity (produced only from 1971-1973) that’s she’s not considered more desirable.  

I think it’s a combination of two factors.

First, while she certain has her share of fans, the Running Mare is simply a less-collected mold than her 1960s contemporaries, like the Semi-Rearing Mustang and Fighting Stallion.  

Second, she’s come in so many Variations, Special Runs and even scarce Regular Run items over the years that the #119 Red Roan doesn’t even break the top ten in terms of rarity or desirability. Even vintage Test Colors of her are not especially difficult to find. (Still not cheap, though!)

Just about the only time you see the price of a Red Roan Running Mare hit the stratosphere is if it’s found in Showcase Collection packaging, or features an exceptionally beautiful or distinctive paint job.

Speaking of that, vintage Red Roans vary, a lot; I’m justifying keeping this pretty girl because aside from her original shipper box, she has finer freckling than my other Red Roan Running Mare, who also happens to have corn spotting. And a sticker that’s not really her sticker, but that’s another story.

All of the other goodies came along for the ride; they’re not things I normally collect, but I have a hard time resisting cute, little things.

8 Buck Hucks

Good gravy Reeves, just when I thought you were starting to "get" it, you pull this kind of nonsense on us again. Here you had us - and me - convinced that this wasn’t going to be anything more special than recently discontinued merchandise, old XMAS stock, and maybe a little of the WEG stuff. You made a big fuss about there not being many "highly limited" SRs.

You might want to review your dictionaries, too. I don’t think the term "highly limited" means what you think it means. Color Crazy Hucks and Fun Foals qualify as "highly limited" SRs to a lot of folks.

Marking stuff up to 80% off was not an endearing move, either. It’s not an incentive, it’s an irritant: $30 Dances with Wolves or $8 CC Hucks do not magically make a 12 hour commute any more plausible.

Don’t get me wrong: I have nothing against the concept of a warehouse sale. It’s the execution that leaves so much to be desired.

Onto other things. I think I’ll clear up a couple of issues that came up in the comments section recently.

First, about Shrinkies: yes, I am aware of the existence of more recent Shrinkies. Unlike the late 1980s Shrinkies, the more modern ones occur more randomly - a batch here, a batch there. That suggests to me that the problem is more a result of faulty plastic, than faulty molding. (Bad molding certainly wouldn’t help, though.)

All Cellulose Acetate models will shrink eventually, it’s just a matter of when. If your models manage to make it through the first decade or so of their lives without exhibiting any unpleasant behaviors, I think they’re safe for the long haul, however long that may actual be.

Now, a few more words about shipper boxes.

We call the early, corrugated cardboard boxes shipper boxes because they were designed to be shipped as is. One side typically had the spaces marked out for the shipping and return addresses:


The other side would have the shipping details and instructions:


If you can’t read it, it says:

Contents: Merchandise - 4th Class Mail
Postmaster: This parcel may be opened for postage
inspection if necessary. Return and forwarding
postage guaranteed.

The example illustrated above (from a #22 Brown Pinto Shetland Pony) was obviously never mailed, but some were. I once owned an old Family Arabian Stallion with a used shipper box. (The best part was the return address: Mission Supply House!)

The shipper box was the standard packaging for virtually all Breyers prior to 1973. There were some exceptions - Lassie, Rin Tin Tin, the Horse and Rider sets all came in fancy shelf boxes - but most models didn’t merit that kind of treatment. It was cheap, and practical, especially for mail-order businesses like Mission Supply House. Address it, stamp it, and it’s ready to go!

Shipper boxes worked for retail businesses, too. In the 1950s, 1960s, and into part of the 1970s, most toy stores would have a display of horses on a shelf or a case. You’d make your selection, and the store would then go to the stock room and get you a still-boxed one. A fancy box wasn’t necessary to make the sale.

I imagine that the shipper box might have even been a bit of a selling point, especially to grandparents with distant grandkids. Straight from the toy store to the post office - no muss, no fuss!

I’m guessing that my bull was either old store stock, or a gift that was purchased, and never given. Doesn’t matter either way, he has a happy home on my shelves now.

Little Boxes

My sales were rather excellent this week, so today’s post is going to be more pictures than words. (I’ve got about a half dozen packages to get wrapped up and out of here by tomorrow.) Don’t fret, I’ve got some nice, meaty posts in the pipeline.

Much fuss was made recently concerning the petite size of the Giselle Melange’s shipping box. Fortunately, there did not seem to be any issues with damages above and beyond the usual amount of spoilage, aside from the mental duress experienced by collectors world wide upon seeing those boxes for the first time.

This isn’t the first time that Breyer has used boxes that seemed, shall we say, snug. Take a look at my most recent acquisition, an upgrade of my #72 Semi-rough cut Walking Polled Angus Bull, mint in his original illustrated shipper box:


I had been hoping to upgrade my Semi-rough cut for quite some time, but I wasn’t expecting one quite that grand. (An illustrated shipper? Awesome!) He’s so minty-mint, the wrapping tissue is still intact:


In case the snugness of the fit doesn’t boggle your mind, here’s the box in comparison to a Family Arabian Mare. No special reason for the selection of a FAM, other than her ubiquity:


It’s teeny-tiny! (Yeah, yeah, she’s a Sorrel FAM. She’s part of the office herd.)

I already knew how small the mold is (he’s only slightly larger than Classic scale, more or less) but it still blew my mind to see how comfortably the whole package fit into a standard 12 x 12 x 8 Priority Mail box.

The only damage incurred in his 50-year trip through time and space? A pair of very slight eartip rubs.

Illustrated Shippers

It was a dark and stormy Saturday, so I spent it finishing the collection repacking. It’s all over except for the dusting, and I’m in no mood for dusting.

For those inquiring, there’s nothing super-duper rare, old or weird in my sales stash. There’s definitely some nice quality models here, possible LSQ, but most of them are in the sub-$50 range. (Unless I get lucky at the flea market in the meantime!)

Since my financial condition is slightly less tenuous than it was at this time last year, I’m in no rush to sell; I don’t want to deal with MH$P or eBay right now, anyway. There’s some talk going on about a local swap meet/hobbyist-to-hobbyist sale (local = Southeast Michigan), and if/when it comes to pass, I’ll let y’all know.

It was a bit of a strange experience packing up the last few horses. I decided that a couple of my oldies had to be taken out of the rotation, and since I just so happened to have their original boxes, back into their original boxes they went. One of the boxes in question: an old illustrated Clydesdale Shipper Box:


Now there’s something you don’t see every day!

Shipper boxes were the "de facto" Breyer box prior to the introduction of the White Picture Box in the early 1970s. There were a couple of experiments prior to the White Boxes - the clear Showcase boxes, and the Touchability Boxes. (I covered Touchability Boxes in a post quite some time ago, in fact.) A few select items - like the Horse and Rider Sets, and the licensed products like Lassie and Rin Tin Tin - did come in specially designed packaging, but those were very much the exception, not the rule, prior to the 1970s.

Most Shipper Boxes were pretty plain: a brown corrugated box, with Breyer’s address printed on one side, and "From:" and "To:" spaces printed on the other side. (And yes, they were used for shipping; I’ve owned a few that made it through the postal system!) The name and model number of the item inside was usually inkstamped across the top of the box, on the paper packing tape that sealed it.

Some, but not all Shipper Boxes were illustrated. Why some early boxes - but not others - were illustrated is a mystery. Some are quite common - such as the Fighting Stallion - while others, like the Clydesdale, are rather rare. My guess is that Breyer decided early on to standardize the box sizes, and only the boxes that were designed for one specific model were allowed to retain their unique graphics. Everything else just got the standard plain shipper, with the inkstamped identification across the top.

The graphics on the early boxes are quite pleasing aesthetically; I particularly like the Poodle:


The Western Pony is nice, too:


Illustrated shippers continued to be used until quite recently, mostly for the non-equine models that couldn’t fit in any of the standard packaging schemes. Some of the graphics were nice, but others, not so much. Not quite sure what was going on with the Charolais Bull box, for example - a bad reference photo, maybe:


Illustrated Shippers were also a common feature of holiday mail-order items. The graphics on the Holiday Shippers were all over the map, too - some pleasant, some plain, and some downright weird. This Legionario Gift Set box from Sears is a fairly typical example:


Shippers are still being used today, mostly with items sold factory direct - like the Connoisseurs - or with some of the Holiday Catalog items. They’re sometimes illustrated generically with a repeating running horse (not the "Running Horse") graphic.

Shipper boxes are still a bit of an undeveloped territory as far as Breyer Box research goes - presumably because of fugitive nature: the boxes had to be literally torn open, and torn boxes didn’t make for the best storage.