I suppose all - or most - of you have found out about the latest Special Run surprise - this one being a Gloss version of Zenyatta’s foal, available on her web site. As of my posting this, there still do appear to be some left out of the 500-piece run:
http://www.zenyattashop.com/breyer-zenyatta-foal.html
Like Pavlov’s dogs, I salivated right on cue and bought one, too. Dark, chocolately bays have been my weakness of late - and in gloss? I was doomed.
Speaking of shopping…
While I love road trips (I’ll be taking one very soon!) I don’t take much joy in day-to-day driving. Getting stuck in traffic jams makes me wish that automotive engineers would stop trying to coax more horsepower out of smaller engines and just devote their time to finally inventing teleportation technology, dangnabit.
I had to do way too much driving for work this week; the only thing that made it bearable was that it gave me a chance to go to stores in areas I would not normally travel to. I like to multitask, so getting a little research done on the way to or from work? Excellent.
The first store I got to hit this week was the Tractor Supply, to check out their holiday selections. Like last year, it’s all Regular Runs, Holiday merchandise, and possibly a smattering of farm store stuff (those trailer sets cobbled together from factory leftovers.) I did really dig the Holiday Horse "Buena Noche", but I’ll save my natterings about him for sometime closer to the holidays.
And I finally managed to get a really good look at the Padre there: I still don’t have a Spirit mold in my collection, and all the other releases in that mold have prices outside of my comfort zone. However, his HUGE ZOMBIE EYES scared me away. Reminded me of that one Adventure Time episode. You know the one (or should):
http://www.youtube.com/watch?v=aZdtZIuVzmE
I don’t want a scary-looking horse staring at me while I sleep, either.
While I certainly haven’t been to every Walmart within driving distance of my house, I’ve now been to enough to conclude (for now) that they are only a figment of the Internet. Then again, I didn't see of the Mesteno Mustang SRs in these parts, either, so maybe it’s just a regional thing. (Which doesn’t make a lick of sense to me, since Breyers sell really well everywhere else around here.)
Then, just today, I swung by one of my "local" Tuesday Mornings to check out their latest offerings. Some of them received a small (and unadvertised) shipment of Breyer stock, mostly (but not entirely) discontinued Elvis Collection merchandise.
This store had a couple of Kongs and a couple of Bears; I took a modest fancy in one of the Bears, but I managed to escape without him following me home.
I will admit, it was a close call: my other two Bluegrass Bandits have nonrealistic finishes, and the pretty mahogany undertones they put into what would have been an otherwise nondescript matte black paint job were …intriguing.
Nope. Can’t do it. Gotta save the cash for the road trip. (Yes, it’s model horse-related. And yes, it’s something you’ll all hear about, when it all shakes out. No joke guys, it’s big.)
Showing posts with label Gilen. Show all posts
Showing posts with label Gilen. Show all posts
Friday, September 28, 2012
Tuesday, November 8, 2011
Catch and Release
Spent the past couple of days trying to get through a bit of a philosophical roadblock in the NaNo novel, and catching up on the word count. Haven’t had much time to think about the horses in the meantime. (Though, ironically, one of the few bits that involved the horses came up in the plot today.)
I did spot another Gloss Valentine and Heartbreaker set, though, at a store I normally wouldn’t have gone to, except for work. I was sort of surprised to still see it there, especially since it was unaccompanied by any of the more common matte-finished ones, on the shelf.
I didn’t buy it: I didn’t need it. I did a "catch and release" on the set, and let it go. Let someone else have the joy of finding it.
Sometimes hobbyists forget - and even I forget - that what an active, vocal subsection of the hobby wants or prefers isn’t necessarily what the general public, casual collectors, or the silent majority of hobbyists want or prefer. They didn’t switch over to matte-finishes in the late 1960s for nothing.
Reeves seems to have done a better-than-average job in estimating the desire of the online hobbyist community for this variation. The prices are a bit elevated on eBay and MH$P, but not hysterically so.
It’s a little too soon to tell if the prices will remain there. The market is in such a state of flux right now. It’s really difficult to tell if the determining factor in that state of flux is the economy, or market saturation. I tend to think it’s the economy: people aren’t buying, because they don’t have the money to spare.
When you’re flush with spendy cash, you can always find room for more horses. Don’t lie: I know you’ve spent just as much time as I have "rearranging" your herd to accommodate just one more horse to the shelf.
Of course, you could switch to Stablemates, but considering the sheer number of Stablemates releases there have been in the past 35+ years - and the average Stablemate addict’s propensity for rationalizing away every slight variation as "essential" - that’s really only a short term solution.
(Been there, done that.)
I’m hoping to be all caught up where I need to be on the novel by tomorrow, so the next post should be somewhat more substantial.
I did spot another Gloss Valentine and Heartbreaker set, though, at a store I normally wouldn’t have gone to, except for work. I was sort of surprised to still see it there, especially since it was unaccompanied by any of the more common matte-finished ones, on the shelf.
I didn’t buy it: I didn’t need it. I did a "catch and release" on the set, and let it go. Let someone else have the joy of finding it.
Sometimes hobbyists forget - and even I forget - that what an active, vocal subsection of the hobby wants or prefers isn’t necessarily what the general public, casual collectors, or the silent majority of hobbyists want or prefer. They didn’t switch over to matte-finishes in the late 1960s for nothing.
Reeves seems to have done a better-than-average job in estimating the desire of the online hobbyist community for this variation. The prices are a bit elevated on eBay and MH$P, but not hysterically so.
It’s a little too soon to tell if the prices will remain there. The market is in such a state of flux right now. It’s really difficult to tell if the determining factor in that state of flux is the economy, or market saturation. I tend to think it’s the economy: people aren’t buying, because they don’t have the money to spare.
When you’re flush with spendy cash, you can always find room for more horses. Don’t lie: I know you’ve spent just as much time as I have "rearranging" your herd to accommodate just one more horse to the shelf.
Of course, you could switch to Stablemates, but considering the sheer number of Stablemates releases there have been in the past 35+ years - and the average Stablemate addict’s propensity for rationalizing away every slight variation as "essential" - that’s really only a short term solution.
(Been there, done that.)
I’m hoping to be all caught up where I need to be on the novel by tomorrow, so the next post should be somewhat more substantial.
Friday, September 9, 2011
Presenting Itself
I just happened to be in That part of town where That farm store is, and what’s sitting on the shelf waiting for me? I swear, I was there just to see if they might have one of those Rocky Mountain Horses!
A glossy Valentine and Heartbreaker set. Sigh. I couldn’t just leave them there, either. Who knows whose hands they’d have fallen into? I had to rescue them! Such a quandary - keep, or sell to one of my regular customers, who’s still looking?
Argh! Time to futilely list more items on MHSP while I decide. (If any of you are interested in a cheap thrill or two, all my listings include postage, just to simplify things. Sometimes when you start dickering about postage, it slows the process down. Money’s great, but I want ‘em gone, too.)
(BTW, that store still had a couple of older Zenyattas from last year, if anyone’s still looking, and any deal needs sweetening.)
To clarify the book scanner thing: book dealers go to used book sales with handheld devices that can tell them how much a book’s current resale value is; if it’s greater than what the book sale is charging, they’ll buy it for their inventory.
I go to used book sales for (a) cheap/obscure reads, (b) to add to my collection, and (c) to stock my BreyerFest sales stash with fun little extras. I don’t make enough to justify buying a scanner, plus I think it’s tacky and a buzzkill. There are some sales that ban the use of scanners outright, though the local sale is not one of them, unfortunately.
I might be listing a few of my better sale books on MHSP too, once I run out of horses to list. Nothing expensive there, either. (Sorry, no Paul Browns - those are keepers!)
So yeah, I saw the Presentation Man o’ War on eBay; I didn’t even bother bookmarking it for later. It went for well over double what I could theoretically pay. Paying for my teeth and my tires take priority right now.
You know, it wasn’t that long ago that Presentation Series pieces were considered … well, not all that big a thing. A lot of collectors then (as now) weren’t too keen on the whole attached base thing. Why spend extra for one with a base, when you could get a freestanding one cheaper? It was nerdy-cool to have a few in your collection - especially if you were a completist - but they weren’t the high demand budget-busters they are now.
Some have been found in this area - mostly Adios, which is not a surprise: there used to be a number of Standardbred farms in the area. The Adios model itself is a fairly easy find around here. I’ve come close: I’ve found a few mounted trophy-like things, but no true Presentation pieces, yet.
I’d be happy with any of them. I’m not particular; I only "need" one for the collection. Aside from cost and rarity, those bases take up an ungodly amount of shelf space: it just wouldn't be practical. Now, I wouldn't turn down a nice-sized collection of them if they did happen to fall in my lap somehow, but what are the odds of that?
(Yeah, I know, it's me we're talking about. When, not if, etc.)
A glossy Valentine and Heartbreaker set. Sigh. I couldn’t just leave them there, either. Who knows whose hands they’d have fallen into? I had to rescue them! Such a quandary - keep, or sell to one of my regular customers, who’s still looking?
Argh! Time to futilely list more items on MHSP while I decide. (If any of you are interested in a cheap thrill or two, all my listings include postage, just to simplify things. Sometimes when you start dickering about postage, it slows the process down. Money’s great, but I want ‘em gone, too.)
(BTW, that store still had a couple of older Zenyattas from last year, if anyone’s still looking, and any deal needs sweetening.)
To clarify the book scanner thing: book dealers go to used book sales with handheld devices that can tell them how much a book’s current resale value is; if it’s greater than what the book sale is charging, they’ll buy it for their inventory.
I go to used book sales for (a) cheap/obscure reads, (b) to add to my collection, and (c) to stock my BreyerFest sales stash with fun little extras. I don’t make enough to justify buying a scanner, plus I think it’s tacky and a buzzkill. There are some sales that ban the use of scanners outright, though the local sale is not one of them, unfortunately.
I might be listing a few of my better sale books on MHSP too, once I run out of horses to list. Nothing expensive there, either. (Sorry, no Paul Browns - those are keepers!)
So yeah, I saw the Presentation Man o’ War on eBay; I didn’t even bother bookmarking it for later. It went for well over double what I could theoretically pay. Paying for my teeth and my tires take priority right now.
You know, it wasn’t that long ago that Presentation Series pieces were considered … well, not all that big a thing. A lot of collectors then (as now) weren’t too keen on the whole attached base thing. Why spend extra for one with a base, when you could get a freestanding one cheaper? It was nerdy-cool to have a few in your collection - especially if you were a completist - but they weren’t the high demand budget-busters they are now.
Some have been found in this area - mostly Adios, which is not a surprise: there used to be a number of Standardbred farms in the area. The Adios model itself is a fairly easy find around here. I’ve come close: I’ve found a few mounted trophy-like things, but no true Presentation pieces, yet.
I’d be happy with any of them. I’m not particular; I only "need" one for the collection. Aside from cost and rarity, those bases take up an ungodly amount of shelf space: it just wouldn't be practical. Now, I wouldn't turn down a nice-sized collection of them if they did happen to fall in my lap somehow, but what are the odds of that?
(Yeah, I know, it's me we're talking about. When, not if, etc.)
Friday, December 24, 2010
Accidental Vacation
Sorry about the unannounced vaycay - all the year-end paperwork I had planned for next week got bumped to this week, because of heavy additions to my work schedule. I also made the mistake of picking an "easy" project to make for Mom’s Christmas present this year:
French-beaded Marigolds.
My original intent was to make a Christmas Tree, but I thought the Marigolds would be less time-consuming. Ha! You’d think I’d know myself by now.
(And no, I’m not taking orders. I'm still in the "gifts to family and friends" stage. Quilts, I'm willing to discuss.)
Looks like I’m going to get stuck with my Grab Bag leftovers for a least a couple of months - have you seen the race to the bottom the prices took on MH$P? I don’t necessarily think its reflective of a lack of demand for any of these models in particular, it’s more a matter of lots of people being desperate to unload, no matter the cost. I guess I can wait - I’ve got room in the sales boxes, and if all else fails, I can always move them out at BreyerFest. It’ll be a non-NAN year, and I’ve found that you get a higher percentage of offline, low-information or lower intensity hobbyists who wouldn’t have had the knowledge, means or opportunity to take advantage of the deal in the first place.
If anyone wants to make a modest offer on anything in the meantime, though, be my guest.
I don’t know what to make of the random awesome goodies some people got in their Grab Bags. Was it an intentional thing to get us stoked for the next round of Grab Bags, or another one of those "blame it on the intern" type of mistakes? The former seems more likely than the latter, since I don’t doubt we’ll have at least one more Grab Bag dump before BreyerFest next year. There are just too many things floating in the warehouse that didn’t make an appearance in this round. (Why no Pink Poodles?)
I’m all talked out of this Grab Bag topic. Let’s move on to something else.
It’s nice to see that the "one gloss set per case" on the new Giselle and Gilen has been confirmed as a year-long thing. I'd love to have a set, but I was in no mood for more mall crawling, especially this time of year.
I do wonder how long it’ll take the rest of the hobby to find this news - or if they'll even "discover" it at all? I’ve been doing a lot of lurking lately, and I’m a little appalled at both the quality of news being distributed, and the unevenness of the distribution.
You know what this hobby needs? A good, all-purpose, nondenominational news hub. Not a list of links, terms and general information, but honest to goodness news. When things are getting released, contest/entry deadlines, live show and club events by region, artist announcements/open houses, etc. and so on. I do plan on expanding my Internet "presence" next year, so maybe I’ll pencil "…and establish an online model horse news network" on the bottom of the to-do list.
More tomorrow, after I finish unwrapping and assembling the presents. (Including a comfy new office chair! Yay!)
French-beaded Marigolds.
My original intent was to make a Christmas Tree, but I thought the Marigolds would be less time-consuming. Ha! You’d think I’d know myself by now.
(And no, I’m not taking orders. I'm still in the "gifts to family and friends" stage. Quilts, I'm willing to discuss.)
Looks like I’m going to get stuck with my Grab Bag leftovers for a least a couple of months - have you seen the race to the bottom the prices took on MH$P? I don’t necessarily think its reflective of a lack of demand for any of these models in particular, it’s more a matter of lots of people being desperate to unload, no matter the cost. I guess I can wait - I’ve got room in the sales boxes, and if all else fails, I can always move them out at BreyerFest. It’ll be a non-NAN year, and I’ve found that you get a higher percentage of offline, low-information or lower intensity hobbyists who wouldn’t have had the knowledge, means or opportunity to take advantage of the deal in the first place.
If anyone wants to make a modest offer on anything in the meantime, though, be my guest.
I don’t know what to make of the random awesome goodies some people got in their Grab Bags. Was it an intentional thing to get us stoked for the next round of Grab Bags, or another one of those "blame it on the intern" type of mistakes? The former seems more likely than the latter, since I don’t doubt we’ll have at least one more Grab Bag dump before BreyerFest next year. There are just too many things floating in the warehouse that didn’t make an appearance in this round. (Why no Pink Poodles?)
I’m all talked out of this Grab Bag topic. Let’s move on to something else.
It’s nice to see that the "one gloss set per case" on the new Giselle and Gilen has been confirmed as a year-long thing. I'd love to have a set, but I was in no mood for more mall crawling, especially this time of year.
I do wonder how long it’ll take the rest of the hobby to find this news - or if they'll even "discover" it at all? I’ve been doing a lot of lurking lately, and I’m a little appalled at both the quality of news being distributed, and the unevenness of the distribution.
You know what this hobby needs? A good, all-purpose, nondenominational news hub. Not a list of links, terms and general information, but honest to goodness news. When things are getting released, contest/entry deadlines, live show and club events by region, artist announcements/open houses, etc. and so on. I do plan on expanding my Internet "presence" next year, so maybe I’ll pencil "…and establish an online model horse news network" on the bottom of the to-do list.
More tomorrow, after I finish unwrapping and assembling the presents. (Including a comfy new office chair! Yay!)
Tuesday, November 23, 2010
More Glosses. Whatever.
All this whining about the Winter Othellos is starting to turn me off Glosses. Reeves should have made the Winter a Gambler’s Choice: if the off-the-shelf models in the series were available in Matte and Gloss from the very beginning, the Winters should have been too.
Then the whining would have been confined to individual tales of personal bad luck, instead of devolving into tedious arguments about the incompetence of Reeves’ marketing strategies. There’s much to be criticized there, no doubt, but the level of discourse rarely rises above "I didn’t get exactly what I wanted" = BAD.
I fall into that trap sometimes, myself: it wouldn’t take much effort on my part to construct a fairly righteous rant about my inability to secure a reasonably priced Diamond Jubilee, and the crazy way they seem to have distributed them. (No rhyme or reason, there.)
Speaking of crazy distribution patterns, I have no idea how the whole Gloss Valentine & Heartbreaker thing is going to pan out, either. Is this just a one-time thing, or all year/run long? Totally random, or a true one to five ratio?
It’d be nice if they did stick to the "one gloss for every five matte" ratio. That’d mean 1000 Gloss sets for every 5000 Mattes produced. If we peg the sales at a conservative 18,000 pieces, that’d be 3000 gloss sets out in the wild - more than enough to satisfy demand.
(Yes, really.)
It’s still too early to tell what Reeves is doing at this point. Trotting over to your favorite online dealer and placing an order for a Gloss one seems a little presumptuous to me.
It’s clear that they’re tinkering with different distribution patterns. I’m all for that: the more equitable or random the system, the better. The way it is now, some hobby-specific retailers have sort of gamed the system, and taken the "hunt" out of the treasure hunts.
I like the possibility that any given store might contain some rare or random treasure, even if it means that I might not get everything I want - like a Diamond Jubilee. The trick for Reeves is going to be in finally finding just the right plan - and hoping they won’t have ticked us all off by the time they do.
I do feel kind of sorry for the dealers: this should be the time of the year when everyone starts to get excited about the next year’s releases, tour stops, and the first real news about BreyerFest. Instead, everyone's having another meltdown about another glossy that may or may not be all that rare. And taking it out on them.
If I get lucky, I get lucky. I don’t have the time or the money to chase every shiny object waved in front of my face.
Then the whining would have been confined to individual tales of personal bad luck, instead of devolving into tedious arguments about the incompetence of Reeves’ marketing strategies. There’s much to be criticized there, no doubt, but the level of discourse rarely rises above "I didn’t get exactly what I wanted" = BAD.
I fall into that trap sometimes, myself: it wouldn’t take much effort on my part to construct a fairly righteous rant about my inability to secure a reasonably priced Diamond Jubilee, and the crazy way they seem to have distributed them. (No rhyme or reason, there.)
Speaking of crazy distribution patterns, I have no idea how the whole Gloss Valentine & Heartbreaker thing is going to pan out, either. Is this just a one-time thing, or all year/run long? Totally random, or a true one to five ratio?
It’d be nice if they did stick to the "one gloss for every five matte" ratio. That’d mean 1000 Gloss sets for every 5000 Mattes produced. If we peg the sales at a conservative 18,000 pieces, that’d be 3000 gloss sets out in the wild - more than enough to satisfy demand.
(Yes, really.)
It’s still too early to tell what Reeves is doing at this point. Trotting over to your favorite online dealer and placing an order for a Gloss one seems a little presumptuous to me.
It’s clear that they’re tinkering with different distribution patterns. I’m all for that: the more equitable or random the system, the better. The way it is now, some hobby-specific retailers have sort of gamed the system, and taken the "hunt" out of the treasure hunts.
I like the possibility that any given store might contain some rare or random treasure, even if it means that I might not get everything I want - like a Diamond Jubilee. The trick for Reeves is going to be in finally finding just the right plan - and hoping they won’t have ticked us all off by the time they do.
I do feel kind of sorry for the dealers: this should be the time of the year when everyone starts to get excited about the next year’s releases, tour stops, and the first real news about BreyerFest. Instead, everyone's having another meltdown about another glossy that may or may not be all that rare. And taking it out on them.
If I get lucky, I get lucky. I don’t have the time or the money to chase every shiny object waved in front of my face.
Tuesday, August 3, 2010
BreyerFest 2010 Wrapup
An unremarkable day at the flea market this Sunday: quite a few vintage Hartlands, a smattering of Breyer bodies, and some common H-R minis. All I really bought was some old paper - vintage craft magazines, and a huge stack of early NASA promotional brochures, ca. 1958-1964. Astronomy and early space flight are another minor interest of mine; I don’t go out of my way to collect any of that stuff per se, but I pick it up if I find it. The graphics tend to be quite beautiful, too, including this little gem:
Speaking of paper, I’m almost finished sorting out my BreyerFest ephemera finds - I sort of had to, considering that Evil has finally figured out how stairs work, and my office doesn’t have a door. ("No honey, Escondido is NOT a chew toy!") I’ll probably be posting a few things on MH$P soon, including a small number of late 1970s-early 1980s Dealer Catalogs. (Managed to do a little upgrading!)
Just a few more thoughts on this year’s BreyerFest, before I resume the straight up history-talking again.
There were some minor improvements - the Bag Check line and Store Special limits, for example - but overall, BreyerFest this year seemed more disorganized that average. Was it a change in personnel, a result of restrictions imposed by the park because of the WEG, or some unknown financial considerations that threw everything off kilter?
As always, I found the judging for the Custom Contest - the "Look-A-Like" Contest, this year - baffling. Looking at the entries left on the table, and comparing them to the winners, didn’t make much sense to me. I was relieved to overhear that I wasn’t the only one who thought that way. Hey, I knew my entry was a bit of a long shot - a Classic Foal painted metallic black, mounted on a base with a PhotoShopped poster of "The Maltese Foalcon" - but all the ones I thought were legitimate contenders also went unplaced. (Lest you think it sour grapes, I found 2009’s winners equally mystifying, and I didn’t even manage to muster an entry that year.)
The Costume Contest could have been handled much, much better, too. Some of the chaos surrounding that event was due to the short notice, but there was no excuse making everyone wait … and wait … and wait around for judging to begin. And then making us parade around the ring, after telling us we’d have a "red carpet" to walk on. And then not announcing the winners until after the raffle, after most of the audience had left for dinner or the hotel. It takes a little of the excitement of winning away when most of your audience disappears. (Isn’t playing to the audience sort of the whole point of dressing up like a celebrity?)
The way food was handled this year was also an issue for me. There was no opening night reception at the HIN on Thursday, and only a smattering of snacks - cookies, lemonade, popcorn - Saturday night. Served on the floor of the Covered Arena. (Seriously?) I know there have been issues with the food in the past; I haven’t had many complaints about it, but I’m evidently not the gourmand everyone else in the hobby thinks they are.
(Lest you think I was raised with an unrefined palate, my Mother’s main creative outlet is gourmet cooking; she has as many - if not more - binders of clipped recipes as I have of reference materials. She knows how to use ‘em, too. On the menu today: Chicken Cacciatore!)
I had no significant condition issues with my Tent Ticket models, other than slightly bent legs on my Child Star/Stage Mom set. It would have been nice if we had had the opportunity to look at the selections Thursday night; that’s when I usually make my final selections. The uncertainty was unnerving.
I briefly considered going with the Color Change Huck Technicolor, but opted for my original second choice instead, which was the Red Carpet Royalty Goffert. His subtly dappled paint job would have won him greater acclaim - and better sales - if he had had a chance to show off the night before, I think.
I was not pleased at the number of people who were obviously buying the Giselle/Gilen set to customize. What, you can’t wait for a more reasonably priced, and less collectible version to come out in a few months? Yeesh. That sort of thing always leaves a bad taste in my mouth, especially when the models being customized are already limited, and in high demand. It feels like a thumb in the nose of us mere OF collectors, y’know?
Loved the Volunteer Model this year, an iridescent red chestnut Missouri Fox Trotter. A favorite color, on a favorite mold? That one's gonna hurt for a while.
Next year’s reservation’s been made; I’m a little uncertain about next years theme of "Fairytails:" I’m in the minority when it comes to the frou-frou princess-y Unicorn and Pegasus thing. (Am I the only one in the world who wasn’t all that excited about the Dragon Horse Merlin Raffle a few years ago?)
Speaking of paper, I’m almost finished sorting out my BreyerFest ephemera finds - I sort of had to, considering that Evil has finally figured out how stairs work, and my office doesn’t have a door. ("No honey, Escondido is NOT a chew toy!") I’ll probably be posting a few things on MH$P soon, including a small number of late 1970s-early 1980s Dealer Catalogs. (Managed to do a little upgrading!)
Just a few more thoughts on this year’s BreyerFest, before I resume the straight up history-talking again.
There were some minor improvements - the Bag Check line and Store Special limits, for example - but overall, BreyerFest this year seemed more disorganized that average. Was it a change in personnel, a result of restrictions imposed by the park because of the WEG, or some unknown financial considerations that threw everything off kilter?
As always, I found the judging for the Custom Contest - the "Look-A-Like" Contest, this year - baffling. Looking at the entries left on the table, and comparing them to the winners, didn’t make much sense to me. I was relieved to overhear that I wasn’t the only one who thought that way. Hey, I knew my entry was a bit of a long shot - a Classic Foal painted metallic black, mounted on a base with a PhotoShopped poster of "The Maltese Foalcon" - but all the ones I thought were legitimate contenders also went unplaced. (Lest you think it sour grapes, I found 2009’s winners equally mystifying, and I didn’t even manage to muster an entry that year.)
The Costume Contest could have been handled much, much better, too. Some of the chaos surrounding that event was due to the short notice, but there was no excuse making everyone wait … and wait … and wait around for judging to begin. And then making us parade around the ring, after telling us we’d have a "red carpet" to walk on. And then not announcing the winners until after the raffle, after most of the audience had left for dinner or the hotel. It takes a little of the excitement of winning away when most of your audience disappears. (Isn’t playing to the audience sort of the whole point of dressing up like a celebrity?)
The way food was handled this year was also an issue for me. There was no opening night reception at the HIN on Thursday, and only a smattering of snacks - cookies, lemonade, popcorn - Saturday night. Served on the floor of the Covered Arena. (Seriously?) I know there have been issues with the food in the past; I haven’t had many complaints about it, but I’m evidently not the gourmand everyone else in the hobby thinks they are.
(Lest you think I was raised with an unrefined palate, my Mother’s main creative outlet is gourmet cooking; she has as many - if not more - binders of clipped recipes as I have of reference materials. She knows how to use ‘em, too. On the menu today: Chicken Cacciatore!)
I had no significant condition issues with my Tent Ticket models, other than slightly bent legs on my Child Star/Stage Mom set. It would have been nice if we had had the opportunity to look at the selections Thursday night; that’s when I usually make my final selections. The uncertainty was unnerving.
I briefly considered going with the Color Change Huck Technicolor, but opted for my original second choice instead, which was the Red Carpet Royalty Goffert. His subtly dappled paint job would have won him greater acclaim - and better sales - if he had had a chance to show off the night before, I think.
I was not pleased at the number of people who were obviously buying the Giselle/Gilen set to customize. What, you can’t wait for a more reasonably priced, and less collectible version to come out in a few months? Yeesh. That sort of thing always leaves a bad taste in my mouth, especially when the models being customized are already limited, and in high demand. It feels like a thumb in the nose of us mere OF collectors, y’know?
Loved the Volunteer Model this year, an iridescent red chestnut Missouri Fox Trotter. A favorite color, on a favorite mold? That one's gonna hurt for a while.
Next year’s reservation’s been made; I’m a little uncertain about next years theme of "Fairytails:" I’m in the minority when it comes to the frou-frou princess-y Unicorn and Pegasus thing. (Am I the only one in the world who wasn’t all that excited about the Dragon Horse Merlin Raffle a few years ago?)
Monday, May 24, 2010
Deja Vu, All Over Again
Something quick and dirty today - more scheduling difficulties, again. I promise to make up for it by finishing all of those half-written blog posts I have sitting in my hard drive, including my latest flea market report (almost as awesome as last week), the swap meet analysis, and maybe even the Tenite and injection molding follow-up. (I think the Universe is trying to drop me a hint along those lines anyway: among the things I found at the flea market yesterday were some injection molding manuals. All the subtlety of a sledge hammer, yeesh!)
I just noticed something the other day - another possible case of mold updating/replacement. First, the much-anticipated BreyerFest Giselle/Gilen combo of Stage Mom and Child Star:
And, from the 1963 Breyer Dealer’s Catalog, here’s the Running Mare and Foal combo, Sugar & Spice:
Ooh, spooky!
I have no idea if this was intentional or not, but it sure seems like it, doesn’t it? Running mares, running foals, two distinct shades of gray/black, with cutesy alliterative names? Has someone at Reeves - gasp! - been doing their homework?
If so, good job guys - and this time around, don’t wimp out on the Buckskins. I think they’d look fantastic in that color. Though true Charcoals and Alabasters would be nice, too. (Gloss or matte - I’m not picky!)
I just noticed something the other day - another possible case of mold updating/replacement. First, the much-anticipated BreyerFest Giselle/Gilen combo of Stage Mom and Child Star:
And, from the 1963 Breyer Dealer’s Catalog, here’s the Running Mare and Foal combo, Sugar & Spice:
Ooh, spooky!
I have no idea if this was intentional or not, but it sure seems like it, doesn’t it? Running mares, running foals, two distinct shades of gray/black, with cutesy alliterative names? Has someone at Reeves - gasp! - been doing their homework?
If so, good job guys - and this time around, don’t wimp out on the Buckskins. I think they’d look fantastic in that color. Though true Charcoals and Alabasters would be nice, too. (Gloss or matte - I’m not picky!)
Saturday, April 3, 2010
Spring Break
Had to take a few days off from the Internet - the weather’s been so nice it seemed a crime not to go out and enjoy some of it. Though I’m sure some people definitions of enjoyment would not include so much yard work, heavy lifting, and the trapping of groundhogs. (Evil beasties, grr!)
I have to admit I haven’t been paying too much attention to the horses this week, either: I think it’s the collection purge and repack that did it. I’ve been doing my daily lurking and a little field research, but the horses were definitely not my first priority.
Once the flea market opens (two weeks!) I’ll be just fine. Nothing like cheap, plentiful horses to get the heart going again. (I know, I know, I shouldn’t be rubbing it in. I’m perfectly willing to share the wealth, provided you’re willing to meet me at my house at 5:45 a.m. on Sunday mornings to caravan it. No joke - neither the time, nor the offer!)
I did spot new Pony Gals merchandise at Target this week: new molds, even. Smaller, unjointed, My-Little-Ponified versions of Jasmine, Chloe and Dixie, in Play Sets with hair manes and tails and various accessories:
7088 Jasmine Travel Boutique Play Set
7089 Dixie Travel Barn Play Set
7090 Chloe Travel Arena Play Set
They’re cute, but not my thing. The whole MLP thing was a little after my time.
I’m a little more excited about the small-scale resin "Big Lex:" a SR being done in conjunction with Lexington’s visual identity program, which will include a big giant blue horse:
http://pentagram.com/en/new/2009/03/new-work-lexington-kentucky.php
I’m not normally a big fan of resins, but as this will be a small-scale reproduction of a big giant blue horse, I’m all in. Because y’all know about my obsession with giant fiberglass livestock - and if you don’t, you will in the near future, now that the weather’s all nice and stuff…
Like everyone else, I’m also excited to see that Giselle and Gilen will debut in plastic at BreyerFest, presumably as a Tent Ticket Special. They’ll be sold as a set, with Giselle in light gray, and Gilen in baby black. I guess that solves the riddle of what the hot, must-have item will be this year. I hope that means a 2011 regular run release - or dare to hope, a Fall 2010 release - follows. (If only to save those coveted SRs from the customizer’s knife.)
There’s also some talk that Reeves is in talks with the owner of one of the horses that played Gandalf’s horse Shadowfax in The Lord of the Rings films, as a possible 2011 Celebration Horse. That’s led to speculation on next year’s theme, with the bulk of commentators seeming to think that it’s "Horses in Literature." Yeah, maybe, but there are other possibilities: "Legends," "Fantasy" or even the dreaded "Pretty, Pretty Princess" theme that was hinted at in the beginning of the Theme Suggestion thread on Blab a few months back would all work with Shadowfax.
I’m not a big fan of the Literature theme, mostly because (gasp!) I’m not big into horse-themed literature, beyond Marguerite Henry and Walter Farley. Too much sentimentality and wish-fulfillment for my tastes. The rights issues could be a bit of a problem, too; the Tolkien estate can be difficult to work with.
I have to admit I haven’t been paying too much attention to the horses this week, either: I think it’s the collection purge and repack that did it. I’ve been doing my daily lurking and a little field research, but the horses were definitely not my first priority.
Once the flea market opens (two weeks!) I’ll be just fine. Nothing like cheap, plentiful horses to get the heart going again. (I know, I know, I shouldn’t be rubbing it in. I’m perfectly willing to share the wealth, provided you’re willing to meet me at my house at 5:45 a.m. on Sunday mornings to caravan it. No joke - neither the time, nor the offer!)
I did spot new Pony Gals merchandise at Target this week: new molds, even. Smaller, unjointed, My-Little-Ponified versions of Jasmine, Chloe and Dixie, in Play Sets with hair manes and tails and various accessories:
7088 Jasmine Travel Boutique Play Set
7089 Dixie Travel Barn Play Set
7090 Chloe Travel Arena Play Set
They’re cute, but not my thing. The whole MLP thing was a little after my time.
I’m a little more excited about the small-scale resin "Big Lex:" a SR being done in conjunction with Lexington’s visual identity program, which will include a big giant blue horse:
The dramatic sculptural likeness of "Big Lex" will become a beacon for visitors and a popular tourist attraction during the World Equestrian Games. A banner based on traditional horse racing graphics can be draped across the Big Lex sculpture to announce special occasions and upcoming events.
http://pentagram.com/en/new/2009/03/new-work-lexington-kentucky.php
I’m not normally a big fan of resins, but as this will be a small-scale reproduction of a big giant blue horse, I’m all in. Because y’all know about my obsession with giant fiberglass livestock - and if you don’t, you will in the near future, now that the weather’s all nice and stuff…
Like everyone else, I’m also excited to see that Giselle and Gilen will debut in plastic at BreyerFest, presumably as a Tent Ticket Special. They’ll be sold as a set, with Giselle in light gray, and Gilen in baby black. I guess that solves the riddle of what the hot, must-have item will be this year. I hope that means a 2011 regular run release - or dare to hope, a Fall 2010 release - follows. (If only to save those coveted SRs from the customizer’s knife.)
There’s also some talk that Reeves is in talks with the owner of one of the horses that played Gandalf’s horse Shadowfax in The Lord of the Rings films, as a possible 2011 Celebration Horse. That’s led to speculation on next year’s theme, with the bulk of commentators seeming to think that it’s "Horses in Literature." Yeah, maybe, but there are other possibilities: "Legends," "Fantasy" or even the dreaded "Pretty, Pretty Princess" theme that was hinted at in the beginning of the Theme Suggestion thread on Blab a few months back would all work with Shadowfax.
I’m not a big fan of the Literature theme, mostly because (gasp!) I’m not big into horse-themed literature, beyond Marguerite Henry and Walter Farley. Too much sentimentality and wish-fulfillment for my tastes. The rights issues could be a bit of a problem, too; the Tolkien estate can be difficult to work with.
Thursday, August 20, 2009
Giselle and Gilen
Darn, picked up another shift, so something short again today...
I'm actually somewhat relieved that I didn't get pulled for Gilen. I have a lot of mixed feelings about the Breyer Nonplastics in general. I am clumsy and I tend to break things: this is why I collect plastics.
I cherish the chinas I do have: I love my Gloss Brown Heather, my beautiful Bay Xayal, and the fabulous Galway Warrior, among others. But except for rare instances like the Galway Warrior, I try to avoid spending full retail on Nonplastics, because it would absolutely crush my heart when the time comes for me to accidentally break it.
I'm about as clumsy as someone can be without qualifying for some sort of disability. I trip over my own feet, fall out of bed, walk into walls, and unintentionally drill holes into myself. I'm so clumsy I once injured myself while READING. So the damage will occur at some point in the future, as long as the model in question remains in my custody.
It's a tragedy to break something regardless of how much I pay for it, of course, but breaking a $10 piece is a smidge less painful than breaking the $150 one.
I suspect that's one of the reasons that left a number of the Connoisseur Giselles unclaimed.
I was rather surprised by the appearance of the Giselles in the sales tent. Connoisseurs in the tent isn't something that's happened before, to my recollection. (I've heard rumors, but nothing substantiated.) At first most of us assumed that these may have been overruns to compensate for broken and damaged pieces, but that turned out to not be the case: they were numbered, and part of the run.
I grabbed one at first, and then put her down. She's pricey, and she's not plastic. As beautiful as I think she is, I just couldn't justify it, on top of all of the other goodies I had sitting in my buy pile. A lot of other collectors thought the same way, since there were still a handful of them left even on Sunday, when the tent pickings are notoriously slim.
She was also not distinctly and overtly glossy, or sporting a flashy pattern, factors that helped the previous Nonplastic Connoisseur Tenacious. Being a brand new mold by a relatively popular artist wasn't quite enough to convince your average Breyer collector that she was worth the investment.
The interest in these molds is there, in plastic: I overheard one Reeves employee give a practiced, and pointedly noncommital answer to the question in the Gallery this year. (And I suspect that was only one of many times they were asked.) I have no idea if or when the Gilen and Giselle will make the transition to plastic. I suspect we'll be seeing the Great Horse Shire first, since the test piece for Party Time was plastic.
If I had been drawn for Gilen, I suspect I would have found myself on the hunt for a Giselle anyway, just to keep the family intact (because keeping him apart from his Mama would just be mean!) And then would have secluded them into the deepest, darkest, and safest part of my china cabinet, away from my awkward self.
I'm actually somewhat relieved that I didn't get pulled for Gilen. I have a lot of mixed feelings about the Breyer Nonplastics in general. I am clumsy and I tend to break things: this is why I collect plastics.
I cherish the chinas I do have: I love my Gloss Brown Heather, my beautiful Bay Xayal, and the fabulous Galway Warrior, among others. But except for rare instances like the Galway Warrior, I try to avoid spending full retail on Nonplastics, because it would absolutely crush my heart when the time comes for me to accidentally break it.
I'm about as clumsy as someone can be without qualifying for some sort of disability. I trip over my own feet, fall out of bed, walk into walls, and unintentionally drill holes into myself. I'm so clumsy I once injured myself while READING. So the damage will occur at some point in the future, as long as the model in question remains in my custody.
It's a tragedy to break something regardless of how much I pay for it, of course, but breaking a $10 piece is a smidge less painful than breaking the $150 one.
I suspect that's one of the reasons that left a number of the Connoisseur Giselles unclaimed.
I was rather surprised by the appearance of the Giselles in the sales tent. Connoisseurs in the tent isn't something that's happened before, to my recollection. (I've heard rumors, but nothing substantiated.) At first most of us assumed that these may have been overruns to compensate for broken and damaged pieces, but that turned out to not be the case: they were numbered, and part of the run.
I grabbed one at first, and then put her down. She's pricey, and she's not plastic. As beautiful as I think she is, I just couldn't justify it, on top of all of the other goodies I had sitting in my buy pile. A lot of other collectors thought the same way, since there were still a handful of them left even on Sunday, when the tent pickings are notoriously slim.
She was also not distinctly and overtly glossy, or sporting a flashy pattern, factors that helped the previous Nonplastic Connoisseur Tenacious. Being a brand new mold by a relatively popular artist wasn't quite enough to convince your average Breyer collector that she was worth the investment.
The interest in these molds is there, in plastic: I overheard one Reeves employee give a practiced, and pointedly noncommital answer to the question in the Gallery this year. (And I suspect that was only one of many times they were asked.) I have no idea if or when the Gilen and Giselle will make the transition to plastic. I suspect we'll be seeing the Great Horse Shire first, since the test piece for Party Time was plastic.
If I had been drawn for Gilen, I suspect I would have found myself on the hunt for a Giselle anyway, just to keep the family intact (because keeping him apart from his Mama would just be mean!) And then would have secluded them into the deepest, darkest, and safest part of my china cabinet, away from my awkward self.
Monday, August 10, 2009
Traditional Foal Shortage?
Still having some time management issues here. I didn’t realize how far behind last week’s crazy work schedule put me. And that rambly post I had been working on all weekend was, frankly, an unpublishable mess. Something I wasn’t in any mood to rewrite last night, especially since I had to be up early this morning for the BreyerFest Reservation Roulette.
So I’ll just spread out what I was attempting to cover in that one post over the course of the week. They’ll be a little shorter than average, but they’ll have the added benefit of actually making sense. And today’s topic shall be… Traditional Foals!
I was originally going to present some research to show you all that there was a dire shortage of Traditional Foal Molds, and that Reeves should do something about it. This was partly in response to a comment about the need for another Draft Horse Foal (something I agree with, wholeheartedly) and also an observation made in light of the recent Fun Foal releases.
The funny thing is that I did the research, crunched the numbers, and guess what? There isn’t a shortage, or at least, there isn’t a significant percentage difference when compared to the Classics or Stablemates line. Foals comprise about 11 to 13% of all three lines, depending on how you calculate it.
For the record, there are approximately 17 different Traditional Foal molds - 16 if you discount the Proud Arabian Foal, who is currently unavailable, or 18 if you want to include the Quarter Horse Yearling:
Action Stock Horse Foal
Amber
Ashley
Clydesdale Foal
Family Arabian Foal
Grazing Foal
Le Fire
Lying Down Foal
Phantom Wings
Proud Arabian Foal
Quarter Horse Yearling
Running Foal
Saddlebred Weanling
Scratching Foal
Sea Star
Standing Stock Horse Foal
Stormy
Suckling Foal
I haven’t included the Connoisseur Foal Gilen yet, since he’s still technically unreleased, and his status as a production plastic mold is still uncertain. (I did not include any exclusively non-plastic molds in my original calculations of the Traditional line anyway, precisely for that reason.)
There were several factors that skewed my perception of the Foal situation. First and foremost was that we’ve had number of new Classics and Stablemates Foal molds that have come out recently. Since 1997, we’ve had six new Stablemates Foals, four Classics, but only three Traditionals (Amber, Ashley and Le Fire.)
Second, there may be more Classics and Stablemates molds historically, but some of those molds were created to replace the Hagen-Renaker molds that are now unavailable for production: the Classic Arabian, Quarter Horse and Mustang Foals, and the G1 Thoroughbred Standing and Lying Down Foals. If you just count the molds that are available, the percentages fall back in line with the Traditionals.
Third, most of the Traditional Foal molds are quite old. Prior to Amber and Ashley, the next youngest Foal mold is the Action Stock Horse Foal, who was released in 1984 - 13 years earlier! While they still retain a lot of sentimental charm, they’re from another time period altogether, both historically and artistically. There have been only three new Foal molds in the modern, post-Chicago era.
Actually, the age issue may be argument enough for more Foal molds. While the Clydesdale Foal is still as cute as he ever was, I’m not so sure he really "belongs" with Wixom, any more than the Family Arabian Foal would go with the new Arabian Cross Mare. These foals were designed for a different time, and a different line.
So, here’s hoping that Gilen is a harbinger of things to come.
So I’ll just spread out what I was attempting to cover in that one post over the course of the week. They’ll be a little shorter than average, but they’ll have the added benefit of actually making sense. And today’s topic shall be… Traditional Foals!
I was originally going to present some research to show you all that there was a dire shortage of Traditional Foal Molds, and that Reeves should do something about it. This was partly in response to a comment about the need for another Draft Horse Foal (something I agree with, wholeheartedly) and also an observation made in light of the recent Fun Foal releases.
The funny thing is that I did the research, crunched the numbers, and guess what? There isn’t a shortage, or at least, there isn’t a significant percentage difference when compared to the Classics or Stablemates line. Foals comprise about 11 to 13% of all three lines, depending on how you calculate it.
For the record, there are approximately 17 different Traditional Foal molds - 16 if you discount the Proud Arabian Foal, who is currently unavailable, or 18 if you want to include the Quarter Horse Yearling:
Action Stock Horse Foal
Amber
Ashley
Clydesdale Foal
Family Arabian Foal
Grazing Foal
Le Fire
Lying Down Foal
Phantom Wings
Proud Arabian Foal
Quarter Horse Yearling
Running Foal
Saddlebred Weanling
Scratching Foal
Sea Star
Standing Stock Horse Foal
Stormy
Suckling Foal
I haven’t included the Connoisseur Foal Gilen yet, since he’s still technically unreleased, and his status as a production plastic mold is still uncertain. (I did not include any exclusively non-plastic molds in my original calculations of the Traditional line anyway, precisely for that reason.)
There were several factors that skewed my perception of the Foal situation. First and foremost was that we’ve had number of new Classics and Stablemates Foal molds that have come out recently. Since 1997, we’ve had six new Stablemates Foals, four Classics, but only three Traditionals (Amber, Ashley and Le Fire.)
Second, there may be more Classics and Stablemates molds historically, but some of those molds were created to replace the Hagen-Renaker molds that are now unavailable for production: the Classic Arabian, Quarter Horse and Mustang Foals, and the G1 Thoroughbred Standing and Lying Down Foals. If you just count the molds that are available, the percentages fall back in line with the Traditionals.
Third, most of the Traditional Foal molds are quite old. Prior to Amber and Ashley, the next youngest Foal mold is the Action Stock Horse Foal, who was released in 1984 - 13 years earlier! While they still retain a lot of sentimental charm, they’re from another time period altogether, both historically and artistically. There have been only three new Foal molds in the modern, post-Chicago era.
Actually, the age issue may be argument enough for more Foal molds. While the Clydesdale Foal is still as cute as he ever was, I’m not so sure he really "belongs" with Wixom, any more than the Family Arabian Foal would go with the new Arabian Cross Mare. These foals were designed for a different time, and a different line.
So, here’s hoping that Gilen is a harbinger of things to come.
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