I couldn’t pass up that Spirit Jersey, especially since it was in that familiar shade of purple (sorry, “Deep Lavender”) that I found so appealing on the Unicorn Zenith. I had been shopping for a new oversized pullover, and since this one was actually cheaper than most of the ones I had been considering, I would have bought it (and the socks) by the end of the year, anyway.
I might even buy a second, if/when the larger sizes go back in stock.
Incidentally, as the Breyer web site states, it’s true that the Stock Horse Stallion has rarely come in Gloss: aside from a few stray Tests and Raffle pieces, the only Production Runs that comes to mind are the 2008 BreyerFest Live Show prize DZ Weedo, and the Gloss version of the 2009 Web Special Summer Solstice, who showed up in the NPOD later that same year.
The Gloss Summer Solstice, in particular, was mostly unnoticed and/or outright ignored when he was “released”, but you don’t see much of either of those Glosses on the secondary market anymore.
Typical of Chris Hess’s later work, the 1980s Stock Horse molds also have a less “polished” finish than both their predecessors and successors, which doesn’t really lend itself to glossing, though I think it looks perfectly lovely on both the Summer Solstice above, and the King below.
2 comments:
I know I'm a weirdo, but I really like glossy King! Plus I like his texture better than newer molds, it reminds me of a horse with a fuzzy coat.
I'm guessing the new tails are here to stay then? This guy and the POA? I hope they didn't Bolya-style remake the old molds for good. I like the old shorter tails. But I bet they did. I still miss old Halla, too. Braids suited her.
Hello mate nicee blog
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