Without Much Ado

Yes, I am a glutton for punishment:


I wasn’t sure I was going to do it, but I figured if I could churn out a decent amount of text the first day, I’d go for it. Besides, the rigor of writing daily will be good for me, even if the writing itself isn’t.

Like all my other attempts at fiction writing, the plot’s the problem. 3,300 words in, and so far the most exciting thing in the whole exercise is an old lady in a Cadillac who drives too fast.

It shouldn’t interfere with the blog; if anything, it ought to help it. I mean, I’m already at the keyboard, right? What better way to avoid writing, than with more writing? Well, I suppose I could avoid writing with quilting, but I just finished another difficult project over the weekend, so maybe not. (At least, not this week.)

I haven’t been paying much attention to the model horse biz the past few days; I’m still doing my usual Internet rounds, but I think I’m still shaking off my October funk. I did notice that they’re coming out with another Traditional Man o’ War - this one, a representation of "Joey" from the book War Horse:

http://www.breyerhorses.com/news/detail.php?eventid=914

Some hobbyists are in a bit of a snit because, goodness gracious, it’s the Traditional Man o’ War, and not something showable. Apparently every new release nowadays has to be on a brand-spanking new mold, or one of the half-dozen or so "acceptable" older molds.

(Guys, you do realize it costs more than $50,000 to bring a brand new mold to market, right? It’s not just one guy working in a workshop anymore, a la Chris Hess.)

I haven’t read the book; I actually don’t read that much equine fiction, as I’m not that big a fan of schmaltz. (Not saying that that book is, just that there seems to be an unnaturally high correlation between the two concepts.) Whether or not he’s an accurate representation of the horse in question, I have no idea.

And I don’t really care. What I do care about is that it’s another Traditional Man o’ War (yay!) and the paint job, from what I can see on Breyer’s Facebook page, seems pretty nice.

(Gosh, do I dare dream that the sample turns up in the NPOD next year?)

I’d like to think that all my recent jibber-jabbering about the Traditional Man o’ War might have had a tiny effect on the selection of the mold, but probably not. He was just due for another release. The press release I linked to above mentions "an affiliation with Michael Morpurgo to make the portrait model of ‘Joey,’" so it’s possible that the author might have had a hand in selecting the mold, just like the Shatners did with All Glory last year.

In other words, it may be more "much ado about nothing," again.

Look, you got three new Eberls this year, new releases of two older ones, and at least two more new molds the next. No worries folks, there'll be plenty of Eberl goodness to go around.

Clubbing, Pt. II

I didn’t feel like risking hypothermia, so I skipped out on the flea market today: we missed the snow, but still got the cold. There hadn’t been much to see the past few weeks anyway, and I had already blown my wad on Saturday on a couple pairs of work shoes and some quilt supplies at the local Salvation Army.

(Unworn Sanita Professional Clogs, in my size, for nine bucks? Darn right, I’m buying them!)

I’ve said it before, and I’ll say it again and again: collectibles aren’t that good of an investment:

http://finance.yahoo.com/family-home/article/113722/worthless-collectibles-street

There’s been some discussion of this on Blab already, but since it ties in with previous post about the new Breyer programs, I’ll add my two cents here, rather than there.

The article refers to collectibles that are considered worthless in the secondary market - among them things like Beanie Babies, Norman Rockwell plates, Hess Trucks, Precious Moments, and anything sold by the Franklin Mint.

Why are they worthless? The article itself doesn’t provide a point by point checklist, but it basically boils down marketing: these are mass-produced items that are specifically targeted towards the collector’s market, and marketed (implicitly, or explicitly) as "investment" vehicles.

The only problem is that when it comes time to "cash in" your investment, the buyers aren’t there.

Seems like Breyers could fit into that definition rather neatly, right?

There are certainly a great many Breyer models that are essentially worthless: take a look at the sheer volume of items listed on eBay and MH$P, many of them priced at body-box level. On the flip side, there are also models that have a great deal of value, and have a good chance (I believe) of retaining a good portion of that value in the long term.

In that sense, I think Breyer models have more in common with collectibles like comic books and PEZ dispensers, rather than Beanie Babies and Precious Moments figurines. While the market for more recently minted comic books, PEZ dispensers and Breyer models is not great, it is not without occasional bright spots. The market for vintage pieces? Also not great, but with a little effort and research, you’ll do okay.

So, what distinguishes comic books, PEZ dispensers, and Breyers from the more worthless types of collectibles?

One word: History.

Having a history means that there was some distance between the start of manufacturing and the onset of direct marketing. That means that there’s a body of "stuff" made prior to the active or organized involvement of either the company or of collectors. It’s stuff that has become genuinely rare or hard to get in good condition because it got used up, worn out, and thrown out - as opposed to direct-marketed things that went straight from the factory warehouse to the collector’s attic.

There’s also history in its more intimate sense: did the objects themselves impact life or history in a meaningful way? Both comic books and Breyer models, for instance, contributed significantly to the happiness of countless children. (They were both certainly a part of mine.)

And thirdly, the history itself should also be interesting on its own. Was there mystery, drama, or complicated legal actions in that history? Lost objects, lost opportunities, or a universe of questions worth investigating?

You’re reading a blog devoted to that third type of history, so I think you already knew that.

Will I be joining up with either of the two new Breyer "clubs"? I remain undecided. My mind's been on other things, lately.

Clubbing, Pt. I

I will confess that the most exciting part of the JAH was finding out that there’s going to be a (somewhat) local Fun Day event! Yeah, there aren’t going to be any special models involved, but I just might go out and see it for the fun of it. I got a chance to help out, briefly, in the Craft and Activity Tent at BreyerFest this year, and the energy there was so amazing.

The other thing that I notice up front - wow, there were a lot of typos! You think they’d have put a little extra effort into the proofreading, it being the final issue and all.

Anyway, back to the matter at hand - the "5 New Programs" everyone is getting all hot and bothered about. Well, six, actually, if you count the Breyer Collectors Club, which I’m assuming is going to be an amplified version of the e-mail program they have now, coupled with exclusive subscriber-only content and offers available via the new web site. Sort of like an online version of JAH. Since no printing or physical mailing will be involved, I’m guessing the subscription fees will be nominal or even nonexistent.

The Vintage Collectors Club, and the Premier Collection are subscription-style clubs: sign up, pay up, and models and other stuff are shipped to you on a timely basis for a year. Either program will cost you around $500 a year to belong: $540 for the Vintages ($135 x 4 models) or $525 for the Premiers ($175 x 3 models). The former is for "vintage" mold enthusiasts, while the latter is tailored towards fanciers of more realistic newer molds.

The Vintage Collectors Club is limited to 500 subscribers, but the Premier Collection makes no mention of an upper limit. They’re also a little vague on whether or not pieces will be made available to non-subscribers at a higher price, or a later date. They use phrases like "Only members are guaranteed a reservation for all three pieces" and "Members also receive priority in shipping" in the copy.

The Breyer Blossoms thingie is described as a year-long "continuity program", which appears to be just like a subscription club, but with Classics-scale molds, no extra stuff, and with the ability to option out of the program after purchasing just four pieces. Items in the program can also be purchased separately (if you just want your birth month flower, I guess) at a higher price. I'm assuming they'll go with different themes every year: the Zodiac, Holidays, etc.

The Equestral Crystalworks are miniature crystal versions of Traditional molds, available exclusively through the new web site, starting in January. No subscription, prepayments or any of that required. (It’s a little unclear whether or not you have to sign up for the Breyer Collectors Club just to buy stuff on the web site.)

The Breeds of the World series are smaller-scale resins (in-between Classics and Little Bits/Paddock Pals) and will be available either via the web site or via retailers. In other words, they’re just Regular Run items that don’t require you signing up for anything at all.

I’ll comment more on the individual programs next time; I still haven’t had a chance to go through the magazine as thoroughly as I’d like. Company came over, there was some drama with the dog, carpets got cleaned …

BreyerWest, Mostly

My JAH arrived today. I haven’t finished rifling through it yet, though from what I’ve read so far, my suspicions about the content of the online discussions seem to be right - as in, a lot of the information being discussed isn’t.

So there’s going to be two more Web Specials by the end of the year - one on a favorite mold (a Decorator Nokota Horse) and another in a favorite color (Silver Filigree Weather Girl)? I wouldn’t mind either, but I suspect I will be getting neither. Nothing to do with my finances - where there’s a will, there’s a way and all that - it’s just that my luck with the Web Special program hasn’t been so good lately.

I don’t even want to imagine what the aftermarket prices on a Silver Filigree Weather Girl are going to be. The prices I’m seeing on the BreyerWest Volunteer Glossies are scary enough.

So they put a different tail on the Roxy mold, for Fontana? Hmm. I wasn’t super-keen on the original tail, but it did reflect the character of the horse it was modeled after. A different tail might be more in line with what’s in fashion in the show ring, but I tend to prefer models that have a more specific - as opposed to a more generic - character to them.

I’d have to see one in person before I pass judgment. It might be a while; with all of the other programs and Special Runs coming up in the next couple of months, it doesn’t seem likely that I’ll be picking up one of the leftovers. (I’m assuming there were - I haven’t heard otherwise, but I might not have been looking in the right places.)

In other BreyerWest news, Reeves cut back on the show awards, and gave out plain old unglossed Regular Run models to Sectional Champs and Reserves - the horror! (Glosses were still awarded to the Overall Champs and Reserves.) Needless to say, that ticked off a few showers, who evidently thought they were entitled to such things; their kvetching about it apparently helped sour the mood of everyone within earshot.

All I can say is that it’s about time they cut back on those awards; all they’ve done is drawn out the worst in some hobbyists, who have done some very devious things in the past to win. This change is something I’ve been advocating for years, and it looks like a lot of other hobbyists are coming around to my line of thinking, too.

The only mistake they made was in not announcing the change in the program earlier. The way the awards were advertised - as "special Breyer awards" - left a little too much open to interpretation.

Whether this is a preview of downgraded awards to come at BreyerFest, I don’t know. Still, I think something should be done. If not Regular Runs, then something else.

For instance, I wouldn’t mind a modified version of the current program, but with an identical range of prizes awarded at all three shows, rather than three different sets of awards. Sure, that would "up" the piece count on all of the awards, making them slightly less rare and/or valuable, but they’d still have the cachet of being exclusive to the show. A program like that might have the additional benefit of cutting down on the de facto proxy showing a bit.

Or how about coupons redeemable for Breyer merchandise, like Green Stamps. One more Sectional Reserve, and I can get an Equestral Crystal horse! (LOL - could you imagine the little booklet they’d have to include in the show packet for that?)

As you can tell, I've obviously had way too much sugar today. Darn Lemon-Walnut Zucchini Muffins.

More for the Archive

My copy of the last issue of JAH hasn’t arrived yet, so I’m loath to discuss anything contained therein until it does. I get the sense that there’s a lot of misinformation getting mixed in with the online discussion of it, and I don’t want to unwittingly perpetuate or validate any of it.

I will say I am quite amused by the "access to copies of vintage Breyer memorabilia" they’ll allegedly be including as a perk of the Vintage Collector’s Club membership. Really? Guys, I’ve seen what you got, I’m not that impressed.

(Admittedly, it is me we’re talking about here: I have an original flier for the Money Manager hanging on my wall.)

Speaking of, I picked up a couple more things for the archive yesterday - at the local Salvation Army, of course. First, a copy of the novelization of For the Love of Benji, the film that the notorious Benji and Tiffany Gift Set was based on:


The movie itself did okay on its own - my paperback is a 25th printing - but the success of the film didn’t translate into success for Breyer: they got stuck with a warehouse full of unsold Gift Sets. Some them eventually ended up in the possession of the Bentley Sales Company, who in turn sold them directly to collectors, well into the 1980s.

Second, a copy of The Pony Champions, the sequel to A Pony for Keeps:


I didn’t think anything of it at first; I just reflexively tossed it into my buy pile, like I do with every other horse-themed book I find. Books sell pretty well for me at BreyerFest, and at the prices I pick them up at, I really can’t go wrong with that approach.

Anyway, I didn’t realize what it was until I was inventorying it later in the day, and noticed the names that the names seemed awfully familiar. Of course, the picture on page 12 also helped:


That’s an Old Timer, Ruffian "Lula," Misty, and the A Pony for Keeps Gift Set on the shelf, and a Trakehner "Abdullah" in the window!

And as if that wasn’t enough to convince me to add it to my archive, the fact that the book was also signed by the author didn’t hurt.

I’ve found other signed books here, too; it’s probably a consequence of the location. This is the same "better than the average" Salvation Army where I found the Kaiser Goose Girl a little while back. Is it any wonder that it’s become a regular stop in my rounds?

(Ironically, I’ve never found any actual Breyer merchandise at that location. Hartlands, H-Rs, and miscellaneous china pieces? No problemo. Actual Breyers? Not a one.)

The Other Rare Pluto

BreyerWest is on the other side of the country, and I am kinda broke, so the fact that it slipped my mind until about yesterday isn’t shocking. I do have a few relatives out that way I could have tapped for a pickup on Fortuna, but I really have to stick to my budget, now that work has officially entered the "slow" season.

I’m currently hemming and hawing on what to do next - another seasonal job, or ramp up the Internet biz? The former would be better for the budget, but the latter is long overdue and may eventually provide a small, year-round income stream. One more thing to think about…

Here is an example of another mold we’ve rarely seen in recent years - the Traditional Lipizzaner Pluto:


This one is the Pluto made specifically for "The Wonderful World of Horses" touring show, in early 1997. The show had been selling the Pluto for several years before it was discontinued, and I assume that Reeves continued to produce them for the show for some time after.

How do I know that this piece is from early 1997? Aside from the 1997 Collector’s Manual it came with, he has factory bi-eyes - a feature that didn’t start appearing until late 1996, and was discontinued by the end of March, 1997. The original #475 Pluto was discontinued at the end of 1995.

The sticker on the upper left hand corner of the box also identifies it as an "Exclusive 28th Anniversary Edition for The WONDERFUL WORLD OF HORSES Starring the ‘World Famous’ Royal Lipizzaner Stallions" (the funky punctuation and capitalization theirs, not mine.)

However, the box label reads "#475 Pluto, The Lipizzaner" - in other words, identical to the Regular Run - so I’d probably classify it more as a "Post Production Run" than a Special Run: a Regular Run item made after its discontinuation, per a standing order from a good (i.e. paying) customer.

Regardless of his status, you don’t see these guys too often; the vast majority of whatever quantity was made were sold as souvenirs to attendees of the show, and not specifically to hobbyists. Hobbyists walking past the sales booths wouldn’t have thought of them as anything other than ho-hum Regular Run Plutos.

Outside of his box, I doubt many would recognize him as anything other than the Regular Run. You’d think that the bi-eyes would be a big "tell," but a lot of collectors seem to be a bit fuzzy on their significance. That’s part of the reason why he’s one of the handful of models I still keep in its original box. If it ever comes to me having to sell him, I want to make sure there’s no mistaking him for a standard #475.

(FYI: that’s a bit of protective foam paper behind him, to prevent box staining.)

I found mine on eBay in late 1999 - not long after they were made. He was a little on the pricey side but well worth it, I think, since I so rarely see them for sale. He’s scarcer than the Spiegel Pluto, at any rate. (That I don’t have. Sigh.)

Equus Non Grata

I didn’t go to the flea market today. Work didn’t go well the night before (everyone was at each other’s throats, for some reason), the weather was iffy (overcast, drizzly), and I didn’t feel all that awesome to begin with (an unfortunate choice of snack foods, I think.)

I need to get cracking (again) on the stuff I already have to sell, anyway. Life sort of got in the way of me putting things up on eBay, so it looks like I’ll be starting up the MH$P sales again. Like before, nothing impressive, just the usual middle-of-the-road shelf sitters and collection fillers.

Everything sells eventually, but some models are harder to sell than others. One mold that’s become an incredibly difficult sell of late is the Midnight Sun:


For obvious reasons, of course: in light of the recent attention being paid to the continuing practice of soring in the TWH show community, the mold itself has become (justifiably) something of a pariah. Few hobbyists dare to sneak any into their showstrings nowadays, lest they get labeled as condoning the practice.

We haven’t seen a new release on in the Midnight Sun mold since 2002, and I rather doubt we ever will, again.

Other molds have fallen "out of fashion" before, such as the Appaloosa Performance Horse and the Quarter Horse Gelding, but that was due more to shifting tastes than the increasing awareness of abusive showing practices.

I suppose one could still sneak Midnight Suns in under collectibility; an historical entry would require way more ‘splaining’ that it’d be worth. Especially since the true historical type of Tennessee Walking Horse is closer to the Bluegrass Bandit or even the G3 Tennessee Walker than the Midnight Sun mold - which itself doesn’t even really depict Midnight Sun!

And again, the mere existence of such an entry would also bring up the insinuations of acceptance on the shower’s part.

In some ways, the situation with the Midnight Sun mold has become somewhat analogous to the situation that exists with some of the more offensive forms of African-American memorabilia. Should they be preserved purely as a matter of historical interest, or should they be shunned - or even destroyed outright - to actively discourage that line of thinking from ever arising again?

As someone who considers herself something of an historian, I fall somewhere in the murky middle. Blotting out any part of our history may feel right or good, but it rarely works. Even if you manage to eliminate it entirely, it still leaves a hole, and a hole can be as problematic as the thing that once filled it.

I suspect what will actually happen to the Midnight Sun molds will be more of a continuing diminishment - of both interest, and of controversy - to the point of it becoming an embarrassing footnote. Most of the releases of the Midnight Sun, save for the 1984 Model Horse Congress SR, are plentiful enough that a spike in interest due to rarity will probably never become an issue. (Unless hobbyists get all crazy and start using their spare Midnight Suns as kindling.)

I have a small number of Midnight Suns in my collection - mostly variations of the original release, in black - and I have no intention of tossing them in the nearest bonfire. They’re a part of the historical record, for better or worse. I won’t go out of my way to acquire more, unless they happen to fall into my lap somehow, or have some historical significance (i.e. a Marney Test.)