Collection Busters

The Stablemates are packed for the show, and now I’m getting down to the nitty-gritty of the Collectibility. I didn’t realize I had chosen so many larger models, and now I need to make some hard decisions. (I do know who I have to cut, it’s just a matter of accepting it, and moving on.) 

The Best Customs Contest Traditional Prize Kansas made me wince a little:

On one hand, that means it’s pretty unlikely the Forever Saige mold is the BreyerFest Stagecoach Surprise, which is a huge relief for me. On the other, it’s a lovely Chestnut Appaloosa version of Forever Saige I’ll likely never get to own, because even if the mold isn’t that popular in the hobby in general, anything that limited is going to command a price beyond my comfort zone anyway.

(Has anyone actually bought any of those Gris Grises in the vicinity of $800, or is it just another aspirational thing on the part of sellers? I don’t need another, just curious.) 

Winning one is out of the question: prepping an entry for the Customs Contest is too late at this point, and I’ve already committed myself to finishing several other projects this year anyway. Most of which are on hold until I get both the show and my taxes out of the way. And some of the gardening too, while I’m at it. (Almost time to transplant the pepper plants to bigger pots!)

The Runners-Up Prize Stablemate Willamette is a little less tempting to me, only because the Darley Arabian mold has already come in Chestnut twice before, and a very shiny Palomino. This wouldn’t be a problem normally, but he’s only had six releases prior to this. But no Gray or a more standard Bay yet: weird how Reeves gets in color ruts like that.

(As everyone let’s out a deep sigh and mutters Django.)

And it is always a bit of a downer when they release the first nearly-impossible-to-acquire “collection buster” release on a new-ish mold. But at least it took them about five years to get around to it with the Darley Arabian, so it does not sting as much, I think. 

But again, it’s a moot issue for me, since most of my custom projects this year fall into the “stress-relief” category. And I’m totally fine with that – in fact, that’s one of the things I’m looking forward to as the weather warms up: a lazy weekend afternoon or two with just me and the Dremel and some otherwise unloved body box inhabitant, making a noisy mess of things in the garage.

Art Movements

All my entries are in for the VIP ticket thing. Since I’ll be out for most of the evening Wednesday, I won’t even bother checking my e-mail until Thursday and just assume that I lost anyway, unless evidence proves elsewise. 

BTW, I am totally here for these beautiful babies: Dada, Nouveau, Rococo, and Avant Garde. 

I was kind of hoping that the One-Day Stablemates would be all Decorators, and beyond my hopes and dreams, they’re even named after art movements! (Technically “Avant Garde” is more of a generic descriptor/qualifier than a specific historic movement, but it’s a Purple Wedgewood Fjord, so I will give it a pass.)

The only one that seems to be a bit of a stretch is the Fighting Stallion: aside from the fact that we already had an Art Nouveau-themed BreyerFest Decorator back in 2014, nothing about it screams “Art Nouveau” or “Alphonse Mucha” to me. He’s still pretty, but in more of a generic “Tri-Color Decorator Pinto” way. 

Or maybe Memphis? That I liked back when it was originally a thing in the 1980s, but it’s definitely not everyone’s cup of tea.

The Eberl Andalusian (aka Chrome) would have been a better fit for an Art Nouveau theme, too, but I think they just wanted to shoehorn in the Stablemates Fighting Stallion somehow.

If it was me, I would have gone with an Art Deco themed Decorator. Think about it, people: an Art Deco Deco. (Probably a little obviously too on-the-nose, but not my call.)

My favorite of the quartet is Dada, because aside from the fact that the Darley Arabian mold is the perfect mold to embody it, I’m still trying to wrap my head around the fact that there is now going to be a Dada-themed Breyer Special Run. Whoa.

(Or maybe someone in New Jersey is a Grant Morrison fan?)

That’s all for today. Got a lot of stuff to get done this week and I’ve already spent way too much time researching airfares to Wyoming for a trip that probably can’t happen until next year. 

A Celtic Arabian

In case you haven’t seen it, this is Breyer’s official notice about COVID-19, which is about what I expected:

https://www.breyerhorses.com/blogs/news/a-message-from-breyer-regarding-covid-19-novel-coronavirus

In short: nothing’s cancelled, but we’re monitoring the situation and will update you if there are any changes. 

On a lighter topic, the latest BreyerFest is… a Sham?

I had assumed that at least one of the Specials this year was going to be an Arabian, but for some reason I thought it’d be the Proud Arabian Stallion and not the Sham.

The four Proud Arabian Stallions that have been Special Runs for BreyerFest are either expensive or hard to find: the 2003 Raffle Model Saturday Night Fever, the 2008 Gloss Prize Model Thee Desperado, the 2009 Volunteer Model After Party (my favorite!) and the 2015 Raffle Model Que Sera Sera.

But the Sham isn’t quite as challenging: just the 1991 Wedgewood Blue Raffle Model, the 1996 Celebration Horse Tseminole Wind, and the 2008 Decorator Pharaoh.

Hmm. I guess it was about time for another Sham.

We last saw the Gulastra Plume coloring on the 2018 Stablemates Club debut of Darley; I was hoping we’d see it again soon, and Sham’s swishy tail is ideally suited for it.

Although I love Glossy Bay, and especially a Glossy Bay with Gulastra Plume, this is another model I am undecided on. I guess I’m just starting to feel a little Special Run fatigue, right now. Or is it that I find the pony-shaped holes in this year’s lineup disorienting?

(Please don’t let one of them be a Diorama Prize model. That contest has been nothing but heartbreak for me. A Translucent Decorator Bouncer as a Pop-Up Store item will be perfectly acceptable.)

I also continue to be mildly amused by the fact that while many of these Specials aren’t all that conceptually different from previous BreyerFest Special Runs – in that their only connection to the theme is in their name – there isn’t that much uproar over that fact this year.

Some of it may be hobbyists finally getting over that particular bugaboo, and the quality of the Special Runs themselves, but I also think everyone else’s enthusiasm for the theme may be overriding that perennial complaint.

As someone whose ethnic background can be loosely described as “Eastern Barbarian”, I find myself kind of meh on the theme.

A Plethora of Pintos

From all the previews that dropped over the past few days, you can tell the end of the year is approaching fast…

First, the third of the Premier Club’s three 2018 releases, Emerson:

I think he’s my favorite of the three Traditional releases for the year. He reminds me of those lean and leggy Thoroughbreds you’d see in illustrations and photographs from the late 19th or early 20th century. He’s also reminiscent of the Love Classic Man o’ War, and that’s not a bad look to emulate!

(I have been sticking fingers in my ears, covering my eyes and mumbling nonsense phrases over and over in a desperate attempt to pretend to unsee the Stablemates Dundee Lipizzaner they previewed in the Collector’s Club Tent at BreyerFest this year. You guys finally release a Stablemates Lipizzaner, and you have to make the first one nigh-unobtainable?

Life is easier if I just pretend it does not exist, until it does.)

I’m a little bummed that Emerson will probably be a little off my financial radar. But likely not for long, because if past history is any guide, we’ll probably see him and all of the other 2018 releases in an assortment of Special Run or Regular Run releases in 2019.

(Put him in that gorgeous “Brass Hat” Bay, and ooh boy….)

The Out of the Blue is the first Collector’s Club Special Run for next year, a Black Roan Tobiano Pinto on the Bobby Jo mold:

While I’ve generally liked the open-ended, larger run Collector’s Club Specials, I haven’t loved them enough to order most of them. The only older one that I think I might cave in and get eventually is Moondance. I think the color and pattern are a good fit for the mold, and the Forever Saige mold is chronically misunderstood (and consequently undervalued, I believe).

I am seriously considering Out of the Blue. I like the mold, I love roany pintos in general, and the relative simplicity of the pattern – reminiscent of one of the original Weather Girl releases Partly Cloudy – is very appealing, and a nice change of pace from the more elaborate paint jobs we’ve been seeing throughout the year.

The third is the final Stablemates Club release for the year, Tabatha Pack’s Darley, I don’t know what to think about, to be honest:

The color is great: I am loving the Gulastra Plume, and I am not as bothered as others are over Reeves’s obsession with Pinto paint jobs this year. (I’m not thrilled by it, either, but that’s what sells. End of story.)

Usually I am all for crazy, awkward or unconventional poses, but I am not quite sure what the heck is going on with Darley. I’m assuming it’s one of those “Arabian” things?

I’ll probably love him once I see him in person. That’s how these things tend to work.