It’s All Good

First, let’s start with an unequivocable good: this stunning, drop-dead gorgeous Malik I found at Tuesday Morning several months back that I never got around to opening until today:

While I liked the mold itself, I wasn’t overwhelmed by the color of most of the ones I saw. I thought I’d have to wait until they released him in a different color before I’d finally buy one. And then I was shopping for something else entirely and this guy practically threw himself at me. Of course I had to take him home!

Now they’re on the verge of releasing the mold as The Black Stallion, and now I’m all in on this mold, until they release something I can’t obtain or afford. Which isn’t super likely – it is a Classic (oops sorry, Freedom Series) mold – but I might as well prepare myself for the possibility.

As expected, no Meadowlark for me. I have pretty much consigned myself to the very real possibility of not getting picked for any Web Specials until the current Collectible market boom finally busts.  

I have mixed feelings about the Saturday Raffle model Bonheur:

Positives: the color is beautiful, the gloss is thick and deep, and from what I can see of the markings, there appears to be an attention to detail that’s going to be much more apparent in person, and we all should know by now that models can’t really be evaluated by web site photographs. 

Negatives: Not the fact that she’s solid – I truly do not care one way or another – but that it’s going to open up the “Solid versus Patterned” debate again. Hobbyists complain that there are too many pintos and appaloosas, but when they give us more solid colors, hobbyists complain that they’re boring. 

Whatever happened to the saying “A good horse can be any color?”

The other negative – for me, anyway – is the fact that they named it after Rosa Bonheur. When they announced the Diorama Contest theme, I just knew that a significant portion of the entries – if not the majority – were going to be based on the painting The Horse Fair. And at least a few of them will win, because it’s The Horse Fair. 

Setting aside the historical significance of the painting – because most people are either unaware, or uninterested in it – the image itself has become a safe, conventional and almost stereotypical one today. The antithesis of the kind of artwork that inspires me.  

And possibly one of the reasons why I rarely succeed at these contests. I am the weird kid staring at the reconstruction of The Dragon of Marduk, while everyone else is taking pictures of themselves with the Rivera Murals. (Not that the Rivera Murals are not awesome. They are just... obvious.)

I will not turn down a Bonheur if I win one, though. But it’s been a long time since I’ve won anything.

Malik and the Classic Andalusian Stallion

It’s nice to see everyone excited about a new Classics mold that not either a Love reissue, or a repurposed Nonplastics/Gallery piece:

A lot of the excitement over Malik is because OMG, it’s an affordable Original Finish Plastic Sarah Minkiewicz-Breunig Arabian! 

That’s totally fair.

But what got me excited was its obvious visual shout-back to another Breyer Classics milestone, the Andalusian Family Stallion:

Breyer had released individual Classics-scale horses as early as 1965 – starting with the Rearing Horse Rex – and used the molds leased from Hagen-Renaker in the early 1970s to launch the “Classics” line altogether.

But in late 1978, the Andalusian Family became Breyer’s first fully formed, internally-designed (Hess, of course) Classics family set.

More sets would shortly follow, including the No. 3040 Black Beauty Family and Friends Set and the No. 3035 USET Gift Set in 1980, and the No. 3030 The Black Stallion Returns Set in 1983.

The Andalusian Family was such a big deal for me, though, that I went out of my way to hand my aunt the Bentley Sales Company order forms – carefully annotated, naturally – with my Christmas list, so I could be the first kid in my social circle to have them, at least a month or two before they hit retail stores!

(Yes, that’s the very Stallion from the set that I received, above.)

It was also an important moment for me personally, as it was one of the earliest moments in my life that I realized I had access to the power and resources of a “fandom” – i.e. the model horse community – and I liked it!