Just Thinking

There were easily five times the vendors at the flea market this week compared to last, but there wasn’t a darn thing worth buying, at least not at a price anyone was asking. ($27.50 for a Gloss Palomino FAM? I don’t think so!) I’m sure a lot of the vendors were counting on a higher proportion of market visitors being tourists on their way to a cider mill, rather than the locals looking for a deal.

I bought a few groceries and sundries I needed to buy, and left. (A toothbrush, dog treats, potato chips, and a bag of green peppers, almost too beautiful to eat. Yes, the potato chips were a "necessity." You don’t need to know why.)

The fact that I had to pay the second half of the dental bill this week was also weighing on my mind. I wasn’t going to have a whole lot of "walking around" money for the rest of the week, and I didn’t want to fritter it away on stuff that was going to sit on my sales list for months.

(The dental bill turned out to be a little less than I anticipated, so I did splurge on a dollar’s worth of books at the Salvation Army yesterday. I may never get around to reading James Joyce’s Ulysses, but it does "class up" my bookshelves while it waits.)

My minding of the pennies probably explains my muted reaction to Pamplemousse’s arrival on Tuesday, too. He seems like such an extravagance now.


He looks good in Dappled Light Palomino Sabino, but I already knew that: I got to admire/fondle the sample piece up close and personal at BreyerFest in the Hobby Information Booth. Mine has just enough small flaws to make me consider returning him, though I’m not sure I want to bother waiting for a replacement. I will have to give it some thought.

Stopped by the local Tractor Supply on the way home today to check out the holiday selection; just because I’m not in a buying mood doesn’t mean I can’t look, right? Plus, I thought the sight of this year’s Holiday Horse might perk my mood up a bit.

It did. The teeny-tiny bells sewn into the costume just slay me: they manage to look simultaneously adorable, and ridiculous! The "Winter Belle" model itself, sans decorative ovenmitt, seems quite nice - definitely not the same as the red bay #950 Dover release from 1996-1997: the finish is slightly metallic, with an opaque base.

I might pick one up if there are any left after said holiday. Just like everything else this time of year, I’ll have to think about it.

I won’t have to worry about allocating my cash for anyone else this holiday season: it doesn’t appear that there are going to be any store-specific SRs for TSC this year, just the usual XMAS assortment and some regular runs, like Chub, Valentine and Heartbreaker, and the ASPCA Benefit Set. I’m okay with that, especially after last year’s glut of SRs.

I have a suspicion we’ll be getting at least one holiday-themed SR via the Web Special program in the next month or so. Considering my recent luck on those, I’m not even going to think about it until I absolutely have to.

Rin Tin Tin

Did you hear about the new book about Rin Tin Tin? It’s Rin Tin Tin: The Life and the Legend, by Susan Orlean, author of The Orchid Thief. I was doing a little research on the book itself (to wit: was it worth putting on my holiday gift list?) when I ran across this text on the author’s website:

When I was very young, my grandfather kept a Rin Tin Tin figurine sitting on his desk. I wanted desperately to play with it, and even more desperately I wanted to have a German shepherd dog of my own, a dog just like the star of "The Adventures of Rin-Tin-Tin", which debuted on television in 1954. I knew nothing about Rin Tin Tin other than that he was the perfect dog, and that he was a character on television. When by chance I learned that Rin Tin Tin was a real dog, not just a television character—a real dog with a real life that was extraordinary—I was drawn into the story and eventually to the idea of writing this book.

http://susanorlean.com/books/rin-tin-tin.php

So I’m guessing that you’re thinking what I’m thinking - that’s the Breyer figurine she’s talking about! I guess the book is worth my time, though I will have to wait until Christmas or thereabouts before I get my hands on a copy. (No room in the budget for fun stuff until then!)

You’d think it’d be logical for Reeves to re-release the Rin Tin Tin figurine, wouldn’t it? You have a well-reviewed biography by a noted author, who just mentions in passing that a Rin Tin Tin figurine partially inspired her to write the book in the first place?


Nice idea, but I’m not counting on it. For one, he’s a dog, not a horse. While Reeves has not been averse to re-releasing the older dog molds, they’re not big sellers. They’ve seemed particularly averse to re-releasing the Rin Tin Tin mold: we haven’t seen it since 1973, when they discontinued the #327 German Shepherd after a brief two-year-ish run. (Like the Proud Arabian Mare, he was prereleased in late 1971 to/for hobbyists.)

His absence is something of a mystery to me, since the German Shepherd has consistently been one of the most popular dog breeds in the United States, far outpacing both the Collie and the Saint Bernard in terms of registrations.

http://www.akc.org/reg/dogreg_stats.cfm

Yet both the Lassie/Collie and the Saint Bernard molds have seen a couple of re-releases in the not-too-distant past! Hmm. (Also puzzling: Wire Fox Terriers are only 97th on the list? Our little brat certainly doesn't act like it.)

Second: just because I think it’s such an obvious idea doesn’t mean Reeves does. I thought a Pancreatic Cancer benefit horse was a far better - and more appropriate - idea than a Breast Cancer benefit horse (hello, Patrick Swayze!) but the more conventional idea won out.

It could be that Reeves got caught a bit flat-footed about the book; I only found out about it a couple months ago myself. It’s not too late to time a re-release of the mold with the inevitable paperback release of the book sometime next year, though. Could be a nice addition to one of their various "horse and book" series, like the Breyer Horse Collection. (One of the lamest names for a series ever, BTW. Isn’t every series basically a "Breyer horse collection"?)

Well Played

It should have been a nice day. The weather was perfect, I got to sleep in, Tigers beat the Yankees …

Then I woke up, stubbed That Toe again, lost my last quilting thimble, and discovered a little "present" the dog left behind in the chair (before I sat down in it, at least.) I also got yelled at by several people for things I either didn’t do, or had no control over.

Oh, and I also forgot to mention that the last dream I had before I woke up this morning was a rerun. It wasn’t even one of those that you wouldn’t mind having again - one where you remember how to fly, or fall into a giant vat of Stablemates, or something. It was boring, predictable, and no fun at all.

When even your dreams fail you, you know you’re in for a rough day.

I haven’t gotten my Pamplemousse yet, either. Not that I was expecting it today, but seeing the huge glut of them on eBay and MH$P just made me realize that I’m probably going to miss the window of opportunity for unloading mine in a timely manner. I had kinda-sorta come to the conclusion last week that I had to let mine go - no profit, really, just cost plus postage - but apparently so had everyone else.

(I had intended on keeping him, but the money situation is tight and not going to get better in the short term. Last one in, first one out, etc.)

I should have realized that there was going to be a glut of Pamplemousses. We’ve seen this story before, too: remember the "Limited Edition" series of models that began in 1987 with Precipitado Sin Par? These "Limited Editions" were limited not by quantity, but by time: basically, to the number of pieces ordered in a production year.

Many hobbyists - and most casual collectors - made the assumption that the "Limited Editions" implied future scarcity. I mean, if they were only going to make them for a year, then it’s going to be way more rare than some Regular Run item that runs for a couple years or more, right?

Nope. What actually happened was that Reeves ended up making way more of those Limited Edition models than they did of many of their Regular Runs, based on that assumption of future scarcity. Several thousand more, in fact, if the numbers from an internal document I have from 1992 are true (and I have no reason to believe they are not.) Consequently, most of these Limited Editions aren’t terribly hard to find.

I suspect the same thing is happening with the Pamplemousse: I would not be surprised if Reeves sold significantly more pieces of their final JAH Special than they did of several of the more recent releases. It didn’t hurt that they put it out on a very popular mold, in an attractive color, and upped the potential order quantity to two.

It’s a win-win for Reeves: they sell more models, and won’t get stuck with a lot of warehouse overstock. (There will be some - via bounced checks, expired credit cards, and the leftovers reserved to cover damaged items - but not a lot.) The extras that many hobbyists ordered for resale become the responsibility of the buyer to redistribute, effectively making these buyers micro-dealers.

Nice trick, Reeves. Well played.

I only ordered one, and it’s no big catastrophe if I have to keep him. I’ll just have to find something else to sell in the meantime, until the market absorbs all of the extras.

I think it will; as I’ve said, he’s a popular mold in an attractive color. He may not be as "limited" in quantity as other JAH Specials, but he’ll definitely be more limited than most other Othello releases. Not only that, he does have the cachet of being the last official JAH Special, and that means a little something, too.

Minding the Gaps

The flea market was uncharacteristically depressing. The weather was nice, if a bit cold, but a big chunk of the dealers didn’t bother to show up. Many of those that did were very territorial about their preferred spaces, so that led to a lot of unnecessarily large gaps between them. The whole place looked and felt like a ghost town.

There were a few horses there, but nothing worth buying. All I picked up were some groceries and a couple of inexpensive sterling silver rings. (I’m wearing one right now. I generally go through life fairly unadorned, but it slipped on my finger like it had always been there. Pretty little thing, too - looks like a hobby casting.)

There was a fairly big antique show the week before, which explained that week’s low turnout, but this week? Yeah, it’s October - big yuck - but even so, the turnout is usually better than that.

The restoration projects from the week before went okay. The Gem Twist cleaned up real nice; I wouldn’t call him "live show quality," but he’s definitely not going to shame anybody’s shelf. I was a little concerned about his yellowing, since I hadn’t seen - or dealt with - a yellowed Gem Twist before.


The original release of Gem Twist came in an odd, semi-chalky finish that Reeves experimented with for a few years; they used a very flat, matte white paint as a basecoat, and applied some light shading over top of it. The original release of the Pluto mold came with a similar paint job, and a sprinkling of other Regular Runs and Special Runs have since then. Unlike earlier - and later - white basecoats, the paint isn’t used as a base to apply another color over top of it: it clearly being used as the primary component of the intended color.

I hadn’t seen - and never expected - a model that’s been painted white to turn yellow. Whatever the cause, a light and quick bleach bath got rid of most of the dinginess. The ease of his cleanup leads me to believe that it was just a very fine layer of grime (Air pollution? Ciggie smoke?), and not something inherent in the paint or plastic.

The speckled Fighting Stallion is still a work in progress. Most of the stains are gone, but some of the more persistent ones remain. On top of that, his extended time in the "dunk tank" has led to an unfortunate side effect: he now has a significant amount of water trapped inside him.

Many hobbyists become a little overly concerned about the lack of an obvious vent hole in their models. They needn’t be, especially with their more vintage pieces. Small splits and separations often occur along the seam lines - usually along the mane, between the ears, or under the tail - and they serve the same function as an intentional vent hole, which is to minimize the possibility of bloating and deformation.

In many cases, these seam splits are so slight, they’re basically invisible to the naked eye - until the model gets submerged in water, and a telltale trail of bubbles appears.

I left the Fighter to soak in the bleach bath overnight, so I didn’t notice where the bubbles were coming from - and I still don't know. The split is apparently small enough to allow water to seep in, but not seep out. So now he has a good 3 or 4 ounces of water sloshing around his insides. Amusing, but also annoying: I never thought he’d rise above being body box fodder, but now that he’s got a half cup or so of bleach water trapped inside, even that’s unlikely.

Just swell. Sigh.

Just A Thing

That was not one of my better weeks. I’ve spent most of today catching up on sleep, and finishing everything I started - and couldn’t finish - during the week. It’s also been cold, wet, and it just turned October. Not exactly conducive to my motivation.

It has come to my attention that the Susecion and Le Fire molds are now something of A Thing: pricey, in demand, and generally pretty hard to get. I hadn’t noticed before because I already had one nice set - the QVC Palominos from 2002 - and hadn’t been in the market for others:


Picked them up for a good price at the flea market a few years back. Not minty-mint, but good enough; I missed out on most of the 2002 QVC Special Runs back when they were released, and I wasn’t about to pay "retail" for them. A couple of small rubs, I can live with.

I had thought the prices on that particular set were just a reflection of the relative scarcity of a lot of the 2002 QVC SRs. Many of them weren’t well publicized, and the piece counts were fairly low (for back then.) Some of them you hardly ever see for sale now; the re-release of the Traditional Man o’ War immediately springs to mind.

Anyway, like I said, I hadn’t been in the market for a set, hence my not-noticing. I have nothing against the molds personally. I just don’t have the space for any more, and other molds have been deemed of higher priority.

Any mention them in certain circles, though, seems to inspire near-apoplectic fits of rage over their anatomical inadequacies (like the crazy face on the mare, and the muley ears on the foal). It’s a rage that seems a little out of proportion to whatever crimes against anatomy they seem to be committing. When I look at them, all I really notice is the tender moment of maternal intimacy.

As to what’s inspiring the high prices, in spite of the hobby’s general dismissal of these molds, I’m not entirely sure. It could be any number of factors - the rather small number of releases, the limited quantity of many of those releases, or the fact that the mold’s been out of circulation for a couple of years now.

I suspect that my initial reaction - the "Aw, that’s kind of sweet" - may be a big factor, too. Nothing sells like cute and sweet. (Don’t be hiding your My Little Ponies in the closet. I know they’re there.)

It could be that it’s "just a thing": all of a sudden something that wasn’t particular popular or noteworthy before then becomes The Thing to have. It happens on eBay all the time. Remember when you could sell a Khemosabi for $100+? Or when there was that unexplainable run on Black Appaloosa Running Stallions? And let’s not forget those other hot items du jour: the original releases of Spirit and Rain.

For hobbyists who do happen to be in the market for a Sucesion and Le Fire set, my only advice to you is to wait it out. In another six months to a year, there might be (no, will be) some other Thing.

Thick and Thin

If the horses I found Sunday were from the estate sale, I didn’t miss anything: ordinary pieces in ordinary condition. The prices weren’t ordinary, which is why they didn’t come home with me. What did? Just this:


A Battleship Gray Elephant. Good condition, just a couple of small rubs and a small crack on its side, pretty typical of a piece from that era (early 1960s.) I don’t know what it is about this mold, but it’s prone to little cracks and splits in the oddest places. Is it all the bumps, cracks and wrinkles built into the mold that contribute to the problem?

That would make sense, except that there are several other contemporaneous molds with rough finishes that don’t have the same problem. You don’t see it in the Donkey, or the two rough-coated Bulls. The Poodles do tend to get weird little mold flow lines or "squiggles" on their sides that sometimes turns into a crack over time, but that’s not quite the same thing, I believe.

Mold flow lines - which I might have explained before, but I’ll cover here again - are created when the leading edge of hot plastic cools in a mold during the molding process, creating a little wrinkle on the molded surface. It’s not a crack, but it does create a slight weakness in the plastic that could become a crack under the right set of circumstances.

The "right set of circumstances" that leads to cracking include rough play and handling, and storage in an uncontrolled environment (extreme changes in heat and humidity). Neither situation is likely to happen in my house, or in any of yours most likely. To put it plainly, you really shouldn’t be too concerned about finding mold flow lines on your vintage pieces. The odds of them becoming a structural problem are very, very slim.

The problem with the Poodle stems from his weight: he weighs nearly a pound! (For comparison’s sake, the Brahma Bull weighs a mere 12 ounces on average - almost a quarter pound less.) When you’re injecting that much hot plastic into a mold, you’re going to have the kind of cooling issues that lead to mold flow lines.

I strongly suspect that the Elephant’s issues stem from too little of the material, rather than the too much. If there’s not enough plastic to compensate for day-to-day changes in heat and humidity, it’s more likely that the plastic will simply split at its thinnest points, whether there are mold flow lines present or not.

I haven’t been brave enough to cut open a spare Elephant to prove my theory, though. I haven’t run across that many body-quality Elephants, either. Plus, body box Elephants are already a tough sell; cutting them in half wouldn't improve the odds.

I already have one of these fellas, so on the saleslist it goes. He shouldn’t be too expensive, when I finally put him up for sale. Battleship Grays are a bit unusual, but not particularly rare.

No Retail

Don’t you hate it when you go to a yard sale or estate sale, and you can see the spaces where the model horses used to be? You go to enough of them, you just know, y'know?

There was an estate sale just down the road from my house, and I had to work that morning, so I couldn’t go until several hours after the sale had begun. All I found by then were a few odds and ends that hinted at the existence of better things: a few stray (common, nonhorse) H-R minis in a jewelry tray, a partially assembled Traditional-scale Stagecoach in the basement, a Perillo Indian Nativity set on a bookshelf.

Bit of a bummer, yep. Maybe I'll get lucky and some of those "missing" horses will show up at the flea market tomorrow.

Oh, in case you were interested, the dental work went fine: very little pain or discomfort, except to my checkbook. I wore my Beatrice hat, and the dentist honored his agreement to knock a chunk off of his fee. (Yes, he is awesome.)

I still have one more appointment to go, so once I wrap up some old business, I’ll start listing more goodies on MHSP soon. I’m seriously contemplating selling another one of my NPOD finds - a Sunshine Celebration "Daytona" - but I’ll wait a week or so and see how everything else shakes out, monetarily. (I hesitate, because I strongly suspect that the Daytona was a photography sample, too. You know my feelings about that.)

I’m in the middle of one of my periodic china cabinet purges; my space for chinas is strictly limited, and I’ve been finding way too much "finger candy" lately. Plus, some redecorating/dogproofing had become necessary. None of those pieces will be for sale until next year, unless you want to swing by the house for a shopping trip. (You can also come over just to shoot the breeze. Give me a couple days’ notice, and I’ll even bake a cake!)

Here’s a closer look at the Bucking Bronco I found last weekend; it’s the #730 Bucking Bronco in "Rose Dun," though he looks more like a Blue Roan to me:


He’s not particularly rare, but he is a nicer-than-average example. He tends to get overlooked because of his similarity to two earlier releases: the #191 Smoke Gray, and the Bentley Sales Steel Gray SR in 1988. In spite of their relative rarity, neither one of them is in high demand, either. Being Classic-scale, and not terribly performance-friendly, does that to a mold.

Although I’m a big fan of the Bucking Bronco, I hadn’t picked up this one - or any of the more recent releases. It’s not due to a lack of enthusiasm, it’s primarily a consequence of my "no retail" buying policy: I very rarely buy models off the shelf, at full retail. It’s gotta be something I know is either very hard to come by, or is so captivating somehow that it has to come home with me right then and there.

Plus, I’ve found that if I’m patient enough, most of the regular run models I want will eventually come to me via the flea market, in a trade, in a group lot, or at BreyerFest.

Every time I do break the rule and make an off-the-shelf splurge, I inevitably find one for half the price - or better! - a few months or a few years later. Not every time, but often enough.