Wait, What Just Happened?

You might remember my hissy-fit back in 2019 when Reeves went all-in on Marvel for their Hero-themed BreyerFest that year. Aside from the fact that it felt like they were taunting lawsuit-happy Disney with a stick, they were ignoring over half of the comic book world, and the one that I’m personally way more invested in: DC Comics, the home of Superman, Batman, Wonder Woman et al.

So you can imagine my surprise when I was doing my Internet rounds a couple days ago and saw… Jim Lee pimping for BreyerFest on his Facebook page. What?!?

For those of you who aren’t all that familiar with the comic book world – and by familiar, I mean having actually read and/or purchased an actual comic book, and not just watched the movies – this is kind of a big deal. Jim Lee is the Publisher and Chief Creative Officer at DC Comics: that’s about as high up as it gets.

So, what is the backstory that led to this? Potential licensing deal over the League of Super-Pets movie? Legal nitpicking over the phrase “World’s Finest”? Is there a Breyer comic book in the works? Or is Jim Lee actually into horses? Or maybe one of his kids? 

He does draw horses better than most comic book artists. Most comic book artists are painfully bad at drawing animals in general, and horses in particular. (And a lot of them are not that great with people either, but cover up their mistakes with lots of crazy cross-hatching and creative coloring.)

Incidentally, one of the few artists who could render a horse competently was the legendary Alex Toth, best known for his work on Zorro for Dell Comics and Hanna-Barbera’s Space Ghost. He could also draw dogs pretty well, and co-created Rex, the Wonder Dog.

For the record, I always imagined that if there was a DC character who was a Breyer collector, it was probably Amethyst, Princess of Gemworld. And Supergirl, obviously. 

(The Traditional Spirit mold would make an excellent Comet, the Super-Horse!)

Whatever the story is here, welcome to the family, Jim! BreyerFest is usually the week before the San Diego Comicon so I know you’re busy, but if you ever want to drop by for a day or two, we’ll be glad to have you. I promise not to fangirl squee too hard! 

For the record, I don’t think I’ve actually ever met Jim Lee face-to-face, but he was in the Artist’s Alley of the 1997 Motor City Comic Con, and I did have a pretty crazy time there that year. 

(Harlan Ellison + Curt Swan + Professional Wrestlers = ‘Nuff Said.) 

In The Background

I found this at the local Salvation Army yesterday, on my way home from work:

I received this exact kit for Christmas way back when. I remember because I made a few “improvements” to the rather sorry design of the horse, making him look a bit more like the Family Arabian Stallion. I could do that because I had lots of leftover yarn from other latch hook kits I had received as gifts.

I got a lot of latch hook kits as a kid.

For the holidays, I’d hand all the relatives heavily annotated Breyer catalogs, but that rarely resulted in actual Breyer horses. Oh, they’d catch the hint about horses, but since I was the “artistic” kid, that meant… horse-themed craft kits.

Let’s face it: the horse world is confusing to people on the outside, whether it’s in “real-life” or in model-horse form. Unless you had another horse-crazy relative who understood, most of them figured it was Mom and Dad’s job to sort the Breyer stuff out. It was just easier to get you that craft kit they found at Kmart.

There was also never a reason for your other relatives to learn the ins-and-outs of the Breyer world, either: in spite of – or maybe even as a consequence of – being nearly ubiquitous, Breyers were always considered part of the background, much like the Japan clinkies you can just see on the box of this latch hook kit.

Breyer has never achieved the same cultural status or significance of Barbie, or Hot Wheels, or Legos. (Remember Jessie’s song from Toy Story 2? With the model horses that weren’t Breyer-shaped but were clearly meant to be Breyers? So close, yet so far... ) They never really achieved “fad” status, either, outside of the early successes of the Western Horse and the Davy Crockett set.

In fact, it was their relative lack of licensing success that probably saved them. Hartland found themselves scrambling in the 1960s as television Westerns faded from popularity, but Breyer continued to do what it had been doing all along: providing generic, license-free figurines for horse-crazy set.

Even that wouldn’t have been enough to carry them through: Breyer considered ditching the whole “Breyer Animal Creations” line in the late 1960s, but rumblings from the nascent hobby community persuaded them elsewise.

Through the 1970s, Breyers still had a solid, though peripheral, place in the toy industry, in spite of their best efforts to break through. In publishing terms, they were midlist items: they sold consistently, sometimes well, but they were never the bestsellers the industry or the country would talk about.

One of the numerous reasons why Breyer was sold to Reeves International back in the early 1980s was because of this issue: they wanted to develop the brand to achieve a bigger and more public presence in the toy and collectible market.

One of the ways to achieve that was to create Breyer merchandise that was not strictly models. We are not talking just about accessories like tack, props and stables, but “fun” and more ephemeral things. Breyer did have some products along those lines in the 1970s and early 1980s, like the Puffy Fun Stickers and the Coloring and Activity books:

http://www.identifyyourbreyer.com/images/8100.JPG

And in more recent years we’ve seen a lot more of these types of items both on the web site, and at BreyerFest: pajama pants, tote bags, notebooks and license plate frames, anyone?

But there was never been a coherent or coordinated plan to it all.

This is why I’ve been sort of puzzled by the negative reactions to the hiring of the two DreamWorks executives, and to some of the products they’ve “soft launched” on the web site. I am especially fond of this fabulous tote bag:

http://www.breyerhorses.com/vintage-breyer-tote

This kind of branding is nothing new: it has been a goal for a very long time. All they’ve done now is hire professionals they’ve worked with before, with real-world expertise.

Ironic t-shirts at Hot Topic? Breyer-themed pillows and comforters at Target? A “Stablemates” cartoon? Latch-hook kits with a more faithful rendition of the Family Arabian Stallion?

Those are the kinds of things I think we will be seeing in the near future, as they try to develop Breyer into a brand that doesn’t just acquire licenses, but becomes a license worth acquiring by others.

In effect, they’re trying to create non-horse Breyer things a younger me would have appreciated as gifts from well-meaning friends and relatives, in addition to the horses themselves.

In short, the horses themselves are not going anywhere: they are the core of the brand. We are just getting more Breyer-branded stuff.