An Elephant of Another Color

And right on cue, an all-too-obvious Elephant clue:

Gray with painted decorations, in the same manner Elephants are decorated for the Elephant Festival, which happens a day before the Festival of Colors – Holi – that (not coincidentally!) just wrapped up.

And that’s just about what I expected. I know a lot of people were hoping or expecting a White Elephant, but the more I thought about it, the less likely it became.

First, although a White Elephant named Airavata was the mount of Indra, King of the Gods, White Elephants are more closely associated with the history and mythologies of Southeast Asia (Burma, Thailand, Laos, Cambodia).

Second, the term “White Elephant” has some rather negative connotations I think Reeves might not have wanted to associate with a Nonhorse Special Run. Wikipedia, again:

The expressions “white elephant” and “gift of a white elephant” came into common use in the middle of the nineteenth century. The phrase was attached to “white elephant swaps” and “white elephant sales” in the early twentieth century. Many church bazaars held “white elephant sales” where donors could unload unwanted bric-a-brac, generating profit from the phenomenon that one man’s trash is another man’s treasure. Many organizational and church fairs still use the term today. In general use a “white elephant” usually refers to an item that’s not useful (decorative) but may be expensive and odd.

Considering some of the issues they’ve had in the past few years with Nonhorse BreyerFest Specials not selling as well as they hoped, marketing an actual “White Elephant” could be a, uh, little problematic?

The 1950s Pink Elephant was a bit cringe-worthy in retrospect, too. I tend to be somewhat more forgiving of that one since believe that that release – along with its Blue friend – were a one-time/one-run deal designed to use up colored acetate that had been earmarked for another project that had gone by the wayside.

Since the first BreyerFest Elephant Special Run – 2006’s Nimbo – was a straight-up Decorator of the Copenhagen Blue variety, it also seemed unlikely that they’d go with another, unless they were going to do the Surprise SR on it to “complete” the set. But I really doubted they would go for a Nonhorse Surprise.

Decorator Ageless Bronze – like the Commemorative Edition Durango – might have worked, and would have been a nice callback to the infamous “Bronze Glo” models that turn up from time to time, a club of whom the Elephant is a member. (Side note: I am skeptical of many “Bronze Glo” models I’ve seen. Like Gloss, it’s a finish that’s very easy to fake.)

I would have been all-in on another release with the rarely-seen plastic Howdah, but that would have been a little too “Modernistic Buck and Doe”-level obscure, I think. And I say that as someone who has advocated for another release on the Modernistic Buck and Doe.

So an Elephant in fancy festival makeup it is. The only question remaining is whether or not it will be a Ticket Special, or a Pop-Up Store Special? A difficult decision for me, either way.

Banff and Other Not Brown Buffaloes

Well, there’s that last crazy-weird-awesome special of the year I feared: a Silver Filigree Buffalo?!

I want to be ridiculously excited about Banff, but after what happened with the Polled Hereford Bull Marshall, I have to temper my excitement just a bit. Even if the piece run this time is 300, not 40.

It’s true, according to the e-mail Reeves sent, that most previous Buffalos have been some shade of brown. Even the two nominal Decorators - the Connoisseur Tortoiseshell Taima, and the Ranchcraft Woodgrain - were brownish.

The only established releases in not-brown (outside of Test Colors) were in white, or nearly so: the #380 Tatanka from 1992-1993, and a very low piece special run made possibly as a tie-in or promotional item for Dino De Laurentiis’s 1977 film The White Buffalo.

If the posters and online reviews are any indication, it’s basically Jaws in the Old West - starring Charles Bronson and an animatronic Buffalo. Sounds like my kind of film!

These older special runs are grayer - almost Smoke - and don’t have the red handprint that the Tatanka has.

There may have been a Post Production Special Run of the Tatanka made in 1995, to commemorate the birth of a real white buffalo in 1994. The details about that SR are a little sketchy; all we know for sure is that they don’t have handprints either, and are probably hand-numbered.

The Tatankas used to be one of those hot must-have items that regularly commanded three-figures on the secondary market. He’s still pricey (for a Buffalo) but not unreasonable for a scarce nonhorse mold. The two handprint-free SRs, early and late, I can’t judge: they are so scarce that I can’t remember even seeing one for sale recently.

As for the alleged "Bronze Glo" Buffaloes - Bronze-colored Buffaloes that may have been a part of a paint test/experiment in the 1970s - I am about as skeptical as I am of the Mobil Red Pegasi. While a few of them may indeed be the real thing, some (if not most) are not.

I’ve seen too many "Bronze Glo" models claimed to be real for all of them to be real, unless it was one very large bucket of paint that Peter Stone and Chris Hess were playing with that day in the factory. Stranger things have happened, but fakes (innocent and intentional) happen, too.

As with anything claimed to be exceedingly rare, caveat emptor.

Lucky Ranger Clock

Ever have one of those weekends where you don’t manage to get a darn thing done?

Yeah, it was one of those. Evil discovered my quilt frame - and the unfinished quilt in it - and, well, it looks like I’ll have to finish that project now, before she does. (As for what she did in retaliation for taking away her favorite new toy - the less said, the better.)

Slow day at the flea market; it would have been decent pickings for most folks, but since I have a rather scary-looking credit card statement arriving in my mailbox this week, I decided to be picky. There was an interesting clock - not a MasterCrafters one, but possibly related - but the dealer seemed more interested in conversating than in selling, so my money went elsewhere. I can only hope his own credit card statement will motivate him to be a little more customer-friendly next week.

Before I forget completely, let’s finish up the conversation we began just before BreyerFest, with the mysterious MasterCrafters Lucky Ranger Clock. This one, in case you’ve forgotten:


So, what’s up with THAT?

I don’t know.

When I first ran across the reference for this clock, on a list of trademarked MasterCrafters names, I assumed that it referred somehow to a clock similar to the Davy Crockett one - with a Lucky Ranger mounted on it, instead of a Davy. The link in question:

http://www.clockswatches.com/foreign/showpage.php?em=1544

Since I had never seen such a clock, I assumed it was either very, very rare, or possibly never put into production. Then I found the clock in question: the case is obviously Breyer-molded, but the horse and rider part? It’s a cast pot metal pendulum, in the shape of a bucking bronco and rider.

Obviously, there has to be some sort of connection between the Breyer Lucky Ranger and the MasterCrafters Lucky Ranger. It’s just too much of a coincidence not to be! The real question is what that connection was.

First off, I don’t think there was any sort of legal or financial dispute over it, or at least one acrimonious enough to end the working relationship between the two companies, as it did with MasterCrafters and Hartland. According to Peter Stone (via Nancy Young, of course), Breyer was still manufacturing cases for MasterCrafters when he formally started working for Breyer in the mid-1960s.

Personally I think the Lucky Ranger connection, combined with an extended work history, suggests that the relationship between Breyer and MasterCrafters was more than merely one of custom molder to client. It may have been collaborative, as well.

A more collaborative relationship, for example, might explain the similarities between the metallic gold/bronze high relief wall clock and the Quarter Horse Yearling. Were the early "Bronze Glo" experiments also related to it?

It might help explain the origins of the Davy Crockett clock, too. Could the Davy Crockett figurine another MasterCrafters commission, "sold back" to Breyer in an arrangement like the original Western Horse?

It's an intriguing possibility.

From what little information I've been able to gather about this specific clock, it is rare, even by MasterCrafters standards. I think the bizarre design is mostly to blame for that: a log cabin, surrounded by cactus, on top of a horseshoe, framing a scene of the Oregon Trail, propped up with metal fencing? You almost get the feeling this thing was cobbled together with spare parts.