Anxieties

First, let me thank everyone again for the effort in identifying The Magician’s Nephew! I used to think that identifying individual models – OF, Custom, and Test – would largely be a fool’s errand, but I am happy that time is proving me otherwise. 

And as I mentioned in the comments in the post previous, I had definitely been thinking Liz Bouras was a possibility, but I got lost in the thickets and had to stop. Looking at all those pretty ponies was starting to inspire me, and one of my resolutions this year was to put a (temporary) halt to new projects and finally sort out my mess of craft supplies once and for all. 

To the point of renting out a storage unit just to contain said craft supplies. (I knew I had a lot of fabric, but yikes!) Having it all off-site is going quite a way towards relieving my anxiety levels, too; every time I turned around all I’d see is another unfinished project, and that’s not good for either my mental or physical health. 

(Yes, physical: I am clumsy, and I literally trip over everything.)

Speaking of anxieties, I am glad now that I managed to actually get drawn for a VIP ticket, because there was no way I would have been able to be online on an early Monday afternoon. Not all of us have 24/7 Internet access, or (also, in my case) to a cell phone for a significant part of the day. 

While I am optimistic that the remaining tickets won’t be an instantaneous sellout, it’d be well over by the time I could have gotten online, regardless (about two hours, in my case.)

I am still on the fence about getting a second, All-Access ticket. I’m getting all of my “most-wants” on the VIP ticket already, and I need to cut back on the horse purchases this year, my recent finds notwithstanding. 

I have no idea how quickly the 9,000 or so All-Access Tickets will sell out; I am assuming the estimates Reeves made on the ticket count were based on the statistics last year, which might have been skewed because of refreshes and/or people attempting to log in under multiple accounts simultaneously. 

I’m just glad that it’s one less anxiety I have to deal with. 

I am also not super-keen on the fact that they’re using a Facebook page with no public access to answer questions about BreyerFest. Information like that needs to be completely public and completely transparent. 

On the other hand, I don’t have to witness people asking questions that could be answered by simply reading the actual web site. All that does is lead to me yelling at inanimate objects.

(I get that research is not everybody’s thing, but the web site is not as convoluted and difficult to navigate as its reputation says it is. Really.)

Diving In

This is the kind of week I want to put in a box, throw the box in a dumpster, and set the dumpster on fire. Not a darn thing is coming easy, not even lunch. 

(Don’t get me started on lunch! Argh!)

Cosmic payback for my lucky last week? I dunno. 

Anyway, the only good thing to come out of this week so far is the body box lot has already arrived.

Everything is pretty much as I expected; they came relatively cheap because they were painted in a variety of paints – acrylic, enamel, house – by someone with abundance enthusiasm but not a lot of skill. 

Which is good for me, because while stripping off old goopy paint is something most customizers want to avoid, it’s totally my thing. I’m actually looking forward to it, after the drama I had to deal with today. (See lunch, above.)

There’s one model that won’t be stripped because, well, look at him:

He’s not signed, so I have no idea who to attribute this beauty to, but it was obviously someone professional, if only because this guy sports one of the nicest hairing jobs I’ve ever seen on any custom, modern or vintage. It’s just immaculate.

And he’s definitely vintage: he still has his mold marks and his seams are uncleaned. It seems hard to believe now, but prepping as we know it – sanding seams, carving out ears and hooves, fixing seam mismatches, and primer – took a while to become standard practice. 

(His ears are carved out and he does have tri-colored eyes. Go figure!)

As long as there weren’t any missing pieces or serious flaws (gouges, holes, giant plastic goobers) customizers just grabbed their paint and brushes and dived in.  

To be honest, I think that approach still has a lot of merit. Whenever I find myself stuck in a creative rut, it’s often because I’m stuck at the prep stage: maybe I haven’t completely planned every move out to the letter, or I’m finding nitpicky things as an excuse to procrastinate. 

At that point, I’ll often start a small and completely impulsive project instead. Sure, sometimes it ends up in the trash. But sometimes it turns out great. And more often than not, it gets the ball rolling, and the next thing you know, the projects I was dithering on get done, too. 

(Before you guys get any crazy ideas, NaMoPaiMo is not even on my radar, people. Remember the no Facebook thing?)

Incidentally, if anyone can help me identify who did this guy, it’d be much appreciated. The painting style seems very familiar, but researching vintage customs is not my strong suit.

Feeling Lucky

This also happened last week:

I had to make a quick pit stop at Walmart to pick up a few things, and I figured that as long as I was there, I’d swing by the toy department and see if they had anything. I found an almost-empty box of Series 4 Unicorn Surprise bags, and after about five seconds of groping, I just dumped the contents of the box in my cart and figured I’d sort the mess out later. 

I didn’t get a chance to even open them up until a couple of days afterwards and whoa nellie, was I surprised!

Alas, my luck didn’t hold out, as I completely missed the $35.00 Presentation Collection Indian Pony on eBay Saturday night. And while I have been to the Kroger where the Billion Dollar Lottery Ticket was sold, multiple times – most recently about a month ago – the lucky winner wasn’t me, either.

C’est la vie.

I did buy a body box of old customs that had one item in particular that might be worth something, but it’ll probably be a couple of weeks before I see it and know for sure. And even if it isn’t what I think it is, I got the entire lot cheap enough as bodies to justify the price I paid for it anyway. 

Incidentally, if you’re curious, if I do happen to get a second BreyerFest ticket, my third and fourth choices would be Seurat (because I do love the painter he’s named after) and either Pollock or the Surprise. I think Pollock is neat, but others love him way more than I do, and I wouldn’t want my like to stand in their way of their love.

The only molds I can think of that would persuade me to keep a Surprise would be Bluegrass Bandit, or something Vintage like the Stretched Morgan or Buckshot, and both scenarios seem unlikely (though not impossible) to me.

It feels like a Stock Horse kind of year, and other than the Smart Chic Olena, I have no pressing need for more. But Surprises can surprise you, so you never know…

In other news, I’m mulling over entering the BreyerFest Photo Show again this year, and maybe even participating in whatever this online version of the Swap Meet will look like. 

With the online Swap Meet, I’m assuming that means that instead of simply tagging and bagging, I’ll have to take detailed photos of everything, and you know that’s not my favorite thing in the world to do.

But I do have a lot to sell, so I dunno, I might give it a shot. The results might also surprise me. 

The VIP

Well hey, this showed up in my mail box:

Which is a very nice and welcome cap to an emotionally draining week! 

In addition to the Uffington and the Best of BreyerFest Stablemates Set, I think I’ll be going with Ansel and Queen of Hearts/Josie. 

I decided on Ansel because I love Blue Roan pintos in general, and the “concept” behind it: honoring Ansel Adams, a photographer whose mastery of his medium was so complete that it takes you a moment to realize what you are looking at is only Black and White. 

Josie I waffled on for a bit; while I love her chocolately bay color, I was a bit concerned about how her unique markings will render in production. Ultimately, I decided that the Bristol mold is popular enough that should I not find her to my liking, she wouldn’t be hard to rehome later.

I want to sleep on my selections one more day before I pay for them, though, because I was operating under the (usually correct) assumption that I wouldn’t have to worry about this decision until much later. 

I know it sounds like a rather depressing assumption, but as someone who is not naturally gifted with luck like some people are, I prefer to think of it as both pragmatic and absolutely necessary for my mental health.

I was also not surprised, at all, that people are trying to sell their tickets – at a nice markup, of course. Since you had to buy the entire package – two Special Runs, two Limited Editions, et al – I can understand selling off an item or two that you might not have wanted in the first place. 

But the whole package? Tacky and gross. I’m glad that Reeves put out a statement on the BreyerFest Blog to address this issue:

https://www.breyerhorses.com/blogs/breyerfest-blog/a-note-to-breyerfest-newcomers

The kicker is that Reeves is doing everything it can to make sure that everyone can get everything that they want – at least in terms of the Limited Editions – and effectively rendering much of the “pickup” industry moot. Why pay double for a Josie or Apollo, when you could just buy the All-Access pass and get the Celebration Horse and online access included for the same price?

I know some hobbyists are not happy about this development, also arguing that allowing backorders renders their “Limited Editions” worthless, or at least worth less. 

As someone who buys primarily for herself, this is a moot point for me; there’s a whole other discussion about rarity and value I’d rather not wrap my head around today.

And to be honest, if it helps tamp down some of the less honest among us who use the inexperience and desperation of the less informed among us to profit, so be it. 

Art Movements

All my entries are in for the VIP ticket thing. Since I’ll be out for most of the evening Wednesday, I won’t even bother checking my e-mail until Thursday and just assume that I lost anyway, unless evidence proves elsewise. 

BTW, I am totally here for these beautiful babies: Dada, Nouveau, Rococo, and Avant Garde. 

I was kind of hoping that the One-Day Stablemates would be all Decorators, and beyond my hopes and dreams, they’re even named after art movements! (Technically “Avant Garde” is more of a generic descriptor/qualifier than a specific historic movement, but it’s a Purple Wedgewood Fjord, so I will give it a pass.)

The only one that seems to be a bit of a stretch is the Fighting Stallion: aside from the fact that we already had an Art Nouveau-themed BreyerFest Decorator back in 2014, nothing about it screams “Art Nouveau” or “Alphonse Mucha” to me. He’s still pretty, but in more of a generic “Tri-Color Decorator Pinto” way. 

Or maybe Memphis? That I liked back when it was originally a thing in the 1980s, but it’s definitely not everyone’s cup of tea.

The Eberl Andalusian (aka Chrome) would have been a better fit for an Art Nouveau theme, too, but I think they just wanted to shoehorn in the Stablemates Fighting Stallion somehow.

If it was me, I would have gone with an Art Deco themed Decorator. Think about it, people: an Art Deco Deco. (Probably a little obviously too on-the-nose, but not my call.)

My favorite of the quartet is Dada, because aside from the fact that the Darley Arabian mold is the perfect mold to embody it, I’m still trying to wrap my head around the fact that there is now going to be a Dada-themed Breyer Special Run. Whoa.

(Or maybe someone in New Jersey is a Grant Morrison fan?)

That’s all for today. Got a lot of stuff to get done this week and I’ve already spent way too much time researching airfares to Wyoming for a trip that probably can’t happen until next year. 

Decisions, Drawings and Snap Judgments

Money is definitely not the issue: it’s my luck in Breyer drawings – especially the ones involving “exclusive” events – that’s pretty bad, so I’m not getting my hopes up for this BreyerFest VIP Ticket raffle/drawing thing. 

All the VIP package does is guarantee your selections, throws in the Stablemate 4-pack, and adds a swag bag which I am assuming is stuff like a coffee mug and a backpack, anyway. 

And some exclusive online content too, I guess? That part is not a big draw for me, to be honest, because of my experience last year. 

But the “All Access” Ticket that goes on sale after this drawing is basically just the standard BreyerFest ticket with Celebration Horse, the option to buy two Special Runs, and access to all areas/opportunities/sales, save for whatever the “VIP exclusive” content is. 

And you have to buy the Stablemates separately, if you’re lucky enough to snag a set.

Other than the Uffington, (An iridescent Cremello? You know the way to my heart, Reeves!), I’m not going to be upset over not getting anything in particular.

Well, okay, the Best of BreyerFest Stablemates Set, too: my Nottingham needs his Mini Me. But they’ve significantly boosted the piece counts on just about everything, and some smaller piece count items other hobbyists are swooning over (Knossos, the Crystal) aren’t doing diddly for me, I should be good, regardless of my ticket status.

Quick takes on some of the other SR announcements: 

Although I am not likely to buy him, I’m glad the John Henry is getting some BreyerFest love this year. He looks good in Bay Appaloosa!

The new Morgan mold in Blue Roan Frame Overo is intriguing in both concept and execution; I definitely like the mold in that color as opposed to its original Splash Pinto paintjob, which did him no favors.

The artistic inspiration for the Rainbow Pintaloosa Valegro is definitely more Lisa Frank than Jackson Pollock. The Rose Gold Filigree paint job on the 2019 Winter Web Special Avoriaz reminds me more of Pollock’s style: all you would have to do is overlay some black and/or metallic silver splatters on that, and call it a day.

I like to imagine that they totally did do the Valegro as an homage to Lisa Frank, freaking nailed it, and then… doing their due diligence realized it was in their best interest to preemptively change the name. (It’s a long story. Google it yourself if you’ve got a couple hours to spare.)

As far as the Surprise goes, the first thought that popped into my head is that it might be Bobby Jo? Or maybe it’s just me looking at the Spectrum that’s sitting in my office and wondering if that’s too obvious a choice. I’ll consider it when the time comes, whether it’s sooner… or later. 

I’m just not a big fan of Buckskin Pintos, so the Store Special Ashquar Rheverence+ is out, as is the Crystal Sherman Morgan Prisma, because I break nonsense like that. I’m on the fence about the Queen of Hearts/Josie: her base color looks amazing, but I’m a little concerned about what her markings will look like in person.  

And that’s… it, except for the rest of the Stablemates (want anyway), the various bits of swag and plushes (depends, probably not), and the various prize and raffle models (which are not up to me to decide). 

Yes, No, and Maybe

While I thought his initial paint job was fabulous, last year’s Premier Club release of Vermeer, the Friesian Sporthorse, left me a little… meh. Fraley’s sculpts are definitely hit or miss with me, and while there were some elements to the mold that I really liked – his mane, those windblown feathers, the wrinkles on his neck – he didn’t strike me as a mold I’d sell off other molds to collect.

The BreyerFest Special Run Seurat might make me change my mind. That’s a real pretty color on him, reminiscent of the sooty palomino that made me fall in love with the 2015 Special Run Chanel, on the Croi Damsha/Connemara mold.

The production pieces for Chanel differed significantly from the original promo photographs – much to our delight, since those photos made her look kind of bright and orangey. 

So while I already have some favorite picked out – among the revealed, and unrevealed – this particular item is one that I’d be most curious to see in person.

The fact that he’s named after one of my favorite painters, Georges Seurat, doesn’t hurt either. I’d rather the name be used on a leopard appaloosa of some sort, but the new Celebration Horse/Former Guest Horse probably put a kibosh on that idea. 

But if we’re going with Horses and Art History, it’s Franz Marc that owns my heart. While others dream of vintage Wedgewoods and Copenhagens, when it comes to blue horses, that particular painting is the grail I seek. A Franz Marc-inspired BreyerFest Special Run would be a very distant but still acceptable second choice.

On the other Special Run announcement, however, I’m going full contrarian here and giving it a hard NO: I’m sorry, I don’t care how detailed the paint job is or how closely they’ve tied it to the theme, using the Spanish Fighting Bull for the FOURTH time – when many Nonhorse molds have had, at most, a single BreyerFest release – is something I simply can’t get past. 

In a theme devoted to artistic inspirations, it strikes me as a downright uninspired choice.

(BTW, thanks guys, now I’m spending all my spare time planning a Wyoming Road Trip itinerary. For the record, though, the “Redneck Roadtrip Redo” I mulled over last year is probably more likely. We will see.)